ARRI Cameras | 2118 Titles
Two Brothers (2004)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Noëlle Boisson
44 Inch Chest (2009)
Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell
Cameras | ARRICAM Lite (LT) Camera
The Other Guys (2010)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
God Bless America (2011)
Directed by | Bobcat Goldthwait | Cinematography by | Bradley Stonesifer | Editing by | David Hopper, Jason Stewart
Cameras | ARRI ALEXA Camera
Crazy People (1990)
Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman
Lenses | Panavision Ultra Speed MKII Lenses
Far and Away (1992)
Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Slumdog Millionaire (2008) 
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Body of Evidence (1992)
Directed by | Uli Edel | Cinematography by | Douglas Milsome | Editing by | Thom Noble
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Addison’s Wall (2006)
Directed by | David Waingarten | Cinematography by | Auric Armstrong | Editing by | Aaron Vega
Cameras | ARRIFLEX Camera
Footloose (2011)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
Black Hawk Down (2001)
Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
No Escape (1994)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 BL4 Camera
I Am Slave (2010)
The Crazies (2010)
Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Battle of the Brave (2004)
Directed by | Jean Beaudin | Cinematography by | Louis de Ernsted | Editing by | Jean-François Bergeron, Yves Langlois
Cameras | ARRIFLEX Camera, Moviecam Cameras
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
