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ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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A Single Man (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 99 Minutes

Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel

Starring | Colin Firth, Julianne Moore, Matthew Goode, Nicholas Hoult

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses

The Savages (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 113 Minutes

Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates

Starring | Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

We Own the Night (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad

Starring | Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Danny Hoch

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

Angel Heart (1987)

Motion Picture | 2D | Film Project | Color | 113 Minutes

Directed by | Alan Parker | Cinematography by | Michael Seresin | Editing by | Gerry Hambling

Starring | Mickey Rourke, Robert De Niro, Lisa Bonet, Charlotte Rampling

Cameras | ARRIFLEX 35mm Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Die Hard 2 (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti

Starring | Bruce Willis, William Atherton, Bonnie Bedelia, Reginald VelJohnson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Men of Honor (2000)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt

Starring | Cuba Gooding Jr., Robert De Niro, Charlize Theron, Aunjanue Ellis-Taylor

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

Why Did I Get Married Too? (2010)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Why Did I Get Married Too? | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Toyomichi Kurita | Editing by | Maysie Hoy

Starring | Janet Jackson, Tyler Perry, Jill Scott, Sharon Leal

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Sing si lip yan (1993)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Jing Wong

Starring | Jackie Chan, Richard Norton, Joey Wang, Kumiko Goto

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

301, 302 (1995)

Motion Picture | 2D | Film Project | Color | 1.44:1 | 100 Minutes

Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park

Starring | Eun-jin Pang, Sin-hye Hwang, Chu-Ryun Kim

Cameras | ARRIFLEX 35 BL4 Camera

Savages (2012)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez

Starring | Aaron Taylor-Johnson, Taylor Kitsch, Blake Lively, Benicio Del Toro

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

One Day (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling

Starring | Anne Hathaway, Jim Sturgess, Patricia Clarkson, Tom Mison

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Grey (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Grey | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann

Starring | Liam Neeson, Dermot Mulroney, Frank Grillo, Dallas Roberts

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Mongol: The Rise of Genghis Khan (2007)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Sergei Bodrov | Cinematography by | Rogier Stoffers, Sergey Trofimov | Editing by | Zach Staenberg, Valdís Óskarsdóttir

Starring | Tadanobu Asano, Amadu Mamadakov, Khulan Chuluun, Honglei Sun

Cameras | ARRIFLEX Camera

Stop Mom Theresa! (2004)

Motion Picture | 2D | Color | 127 Minutes

Stop Mom Theresa! | ShotOnWhat?

Directed by | Péter Bergendy | Cinematography by | Gyula Pados | Editing by | István Király

Starring | Gabriella Hámori, Sándor Csányi, Eszter Ónodi, Zsolt László

Cameras | ARRIFLEX Camera

Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The A-Team (2010)

Motion Picture | 2D | Color | 2.35:1 | 117 Minutes

The A-Team | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May

Starring | Liam Neeson, Bradley Cooper, Sharlto Copley, Jessica Biel

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Cold Light of Day (2012)

Motion Picture | 2D | Color | 93 Minutes

The Cold Light of Day | ShotOnWhat?

Directed by | Mabrouk El Mechri | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Henry Cavill, Bruce Willis, Sigourney Weaver, Verónica Echegui

Cameras | ARRIFLEX 435 Camera

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Kiss of Death (1997)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Andrei Feher | Cinematography by | Massimo Zeri

Starring | Cristi Harris, Daniel McVicar, Vanity, Kurt Andon

Cameras | ARRI ARRIFLEX Series Cameras

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