ARRI Cameras | 2118 Titles
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Bel Ami (2012)
Directed by | Declan Donnellan, Nick Ormerod | Cinematography by | Stefano Falivene | Editing by | Gavin Buckley, Masahiro Hirakubo
Arn: Tempelriddaren (2007)
Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen
Jûsan-nin no shikaku (2010)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Sexy Beast (2000)
Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade
Cameras | ARRI ARRIFLEX Series Cameras
Lenses | ARRI Lenses
A Better Place (1997)
Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira
Cameras | ARRIFLEX 16SR Camera
3 Needles (2005)
Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks
Cameras | ARRIFLEX 35 BL4 Camera
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
All My Friends Are Leaving Brisbane (2007)
Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Angenieux HR Zoom Lenses
The Bunglers (2012)
Directed by | Glenn Camhi | Cinematography by | Stephan Dalyai | Editing by | Glenn Camhi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Spy Kids: All the Time in the World in 4D (2011)
Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Abraham Lincoln: Vampire Hunter (2012)
Gorky Park (1983)
Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler
Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
RocknRolla (2008)
Directed by | Guy Ritchie | Cinematography by | David Higgs | Editing by | James Herbert
Cameras | ARRIFLEX D-20 Camera
The Vow (2012)
Directed by | Michael Sucsy | Cinematography by | Rogier Stoffers | Editing by | Melissa Kent, Nancy Richardson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
