ARRI ARRIFLEX Series Cameras | 706 Titles
Lost (2004)
| Cinematography by | John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei | Editing by | Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Wild Wild West (1999)
Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller
Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Bright Star (2009)
Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
Children of Men (2006)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Passion in the Desert (1997)
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Dreamer: Inspired by a True Story (2005)
Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Let the Right One In (2008)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
The Lovely Bones (2009)
24 7: Twenty Four Seven (1997)
Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Lenses
Reservoir Dogs (1992)
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Brooklyn Rules (2007)
Hak hap (1996)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
In the Mood for Love (2000)
Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee | Editing by | William Chang
Lenses | Zeiss Lenses
