ARRI ARRIFLEX Series Cameras | 756 Titles
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Sonatine (1993)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
The Black Dahlia (2006)
Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Whip It (2009)
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
About a Boy (2002)
Directed by | Chris Weitz, Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Nick Moore
Cameras | ARRIFLEX 35mm Cameras
Lenses | ARRI Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
Marley & Me (2008)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Ultra Prime Lenses
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
Stealth (2005)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Fear and Loathing in Las Vegas (1998)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker
Lenses | Zeiss Standard Speed Prime Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Killing Bono (2011)
Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
