Dolby Digital | 2307 Titles
American History X (1998)
Directed by | Tony Kaye | Cinematography by | Tony Kaye | Editing by | Gerald B. Greenberg, Alan Heim
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
28 Days Later… (2002)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill
Cameras | ARRI Cameras, Canon XL1 Camera
Lenses | Canon EC Series Lenses, Canon EJ Series Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Away from Her (2006)
The Pirates! Band of Misfits (2012)
Directed by | Peter Lord, Jeff Newitt | Cinematography by | Frank Passingham | Editing by | Justin Krish
Cameras | Canon EOS-5D Mark II Camera
7 días en La Habana (2012)
Directed by | Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero | Cinematography by | Daniel Aranyó, Diego Dussuel, Gaspar Noé | Editing by | Santiago Esteves, Thomas Fernandez, Rich Fox, Berta Frías, Véronique Lange, Julio Medem, Gaspar Noé, Alex Rodríguez, Pablo Trapero
Cameras | Red One Camera
The Kite Runner (2007)
54 (1998)
Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
(Untitled) (2009)
Directed by | Jonathan Parker | Cinematography by | Svetlana Cvetko | Editing by | Keiko Deguchi
Cameras | Panavision Genesis Camera
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
We Bought a Zoo (2011)
Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
Killing Bono (2011)
Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
247°F (2011)
Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood
Cameras | Red One Camera
Sleepy Hollow (1999)
Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron
Cameras | Panavision Panaflex Platinum Camera
Batman Returns (1992)
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
The Ruins (2008)
Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Lara Croft: Tomb Raider (2001)
Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner
