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Dolby Digital | 2307 Titles

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Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

The Ides of March (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | Paul Giamatti, George Clooney, Philip Seymour Hoffman, Ryan Gosling

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Insider (1999)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell

Starring | Russell Crowe, Al Pacino, Christopher Plummer, Diane Venora

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battle Royale (2000)

Motion Picture | 2D, 3D | Color | 1.85:1 | 114 Minutes

Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe

Starring | Tatsuya Fujiwara, Aki Maeda, Tarô Yamamoto, Takeshi Kitano

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Rachel Getting Married (2008)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 113 Minutes

Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres

Starring | Anne Hathaway, Rosemarie DeWitt, Debra Winger, Sebastian Stan

Cameras | Sony HDW-F900R Camera

Habemus Papam (2011)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria

Starring | Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Copycat (1995)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim

Starring | Sigourney Weaver, Holly Hunter, Dermot Mulroney, William McNamara

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Brighton Rock (2010)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Brighton Rock | ShotOnWhat?

Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker

Starring | Sam Riley, Andrea Riseborough, Helen Mirren, John Hurt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

The Brave One (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson

Starring | Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Hop (2011)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Hop | ShotOnWhat?

Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler

Starring | Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Jackie Brown (1997)

Motion Picture | 2D | Color | 1.85:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke

Starring | Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda

Cameras | Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

To the Wonder (2012)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

To the Wonder | ShotOnWhat?

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Starring | Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Nowhere Boy (2009)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Nowhere Boy | ShotOnWhat?

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Lisa Gunning

Starring | Aaron Taylor-Johnson, Kristin Scott Thomas, Anne-Marie Duff, David Threlfall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

House of Sand and Fog (2003)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin

Starring | Jennifer Connelly, Ben Kingsley, Ron Eldard, Frances Fisher

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

The Life Aquatic with Steve Zissou (2004)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

The Life Aquatic with Steve Zissou | ShotOnWhat?

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz

Starring | Bill Murray, Owen Wilson, Anjelica Huston, Cate Blanchett

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Hangover Part II (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

The Hangover Part II | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Thomas Crown Affair (1999)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | John McTiernan | Cinematography by | Tom Priestley Jr. | Editing by | John Wright

Starring | Pierce Brosnan, Rene Russo, Denis Leary, Ben Gazzara

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

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