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South Africa | 24 Titles

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Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Uncut Gems (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie

Starring | Adam Sandler, Julia Fox, Idina Menzel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

The Amazing Race (2001)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramor

Starring | Phil Keoghan, Joyce Agu, Uchenna Agu, Jet McCoy

Escape Room (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich

Starring | Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

The Brothers Grimsby (2016)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Starring | Sacha Baron Cohen, Mark Strong, Rebel Wilson, Freddie Crowder

Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Yesterday (2004)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Darrell Roodt | Cinematography by | Michael Alan Brierley | Editing by | Avril Beukes

Starring | Leleti Khumalo, Lihle Mvelase, Kenneth Khambula, Harriet Lenabe

Hotel Rwanda (2004)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Terry George | Cinematography by | Robert Fraisse | Editing by | Naomi Geraghty

Starring | Don Cheadle, Sophie Okonedo, Joaquin Phoenix, Xolani Mali

View from a Blue Moon (2015)

Motion Picture | 2D | 4K Project | Color | 58 Minutes

Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny

Starring | Greyson Fletcher, Alex Florence, Ivan Florence, John Florence

Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras

Die Pro (2015)

Motion Picture | 2D | 4K Project | Color | 90 Minutes

Directed by | Andre Velts | Cinematography by | Eduan Kitching | Editing by | Linsen Loots

Starring | Edwin van der Walt, Reine Swart, Vilje Maritz, Arno Greeff

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Salvation (2014)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen

Starring | Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mandela: Long Walk to Freedom (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell

Starring | Idris Elba, Naomie Harris, Terry Pheto, Robert Hobbs

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Giver (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 97 Minutes

Directed by | Phillip Noyce | Cinematography by | Ross Emery | Editing by | Barry Alexander Brown

Starring | Brenton Thwaites, Jeff Bridges, Meryl Streep, Taylor Swift

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Les deux mondes (2007)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber

Starring | Benoît Poelvoorde, Natacha Lindinger, Michel Duchaussoy, Daniel Cohen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mad Max: Fury Road (2015)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel

Starring | Tom Hardy, Charlize Theron, Nicholas Hoult, Zoë Kravitz

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

A Good Man in Africa (1994)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Bruce Beresford | Cinematography by | Andrzej Bartkowiak | Editing by | Jim Clark

Starring | Colin Friels, Sean Connery, Joanne Whalley, John Lithgow

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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