Africa | 116 Titles
Raiders of the Lost Ark (1981)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Othello (1951)
Directed by | Orson Welles | Cinematography by | G.R. Aldo, Anchise Brizzi, George Fanto, Alberto Fusi, Oberdan Troiani | Editing by | Jenö Csepreghy, Renzo Lucidi, William Morton, Jean Sacha
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
John Wick: Chapter 3 – Parabellum (2019)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
The Crown (2016)
| Cinematography by | Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner | Editing by | Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Cameras | Sony CineAlta VENICE Camera, Sony PMW-F55 Camera
Lenses | Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Star Wars: Episode II – Attack of the Clones (2002)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
King Solomon’s Mines (1950)
Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters
Cameras | Technicolor 3-Strip Camera
Ryan’s Daughter (1970)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
Lenses | Panavision Lenses
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
The Mummy (2017)
Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Napoleon (2023)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses
Cobra Verde (1987)
Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka
Cameras | ARRIFLEX 35 III Camera
Io Capitano (2023)
Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
