Anamorphic Projection Format | 525 Titles
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Arn: Tempelriddaren (2007)
Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen
Sexy Beast (2000)
Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade
Cameras | ARRI ARRIFLEX Series Cameras
Lenses | ARRI Lenses
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Double Team (1997)
Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
Swinging with the Finkels (2011)
Directed by | Jonathan Newman | Cinematography by | Dirk Nel | Editing by | Eddie Hamilton
Cameras | Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Shakespeare in Love (1998) 
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Mongol: The Rise of Genghis Khan (2007)
Directed by | Sergei Bodrov | Cinematography by | Rogier Stoffers, Sergey Trofimov | Editing by | Zach Staenberg, Valdís Óskarsdóttir
Cameras | ARRIFLEX Camera
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Alien: Resurrection (1997)
Alex Cross (2012)
Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
