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Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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Pi (1998)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 84 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch

Starring | Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart

Cameras | Aaton XTR Prod Camera, Bolex H16 Camera

Lenses | Angenieux Lenses, Canon Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

NSync: Bigger Than Live (2001)

Motion Picture | 2D | Film Project | Color | 48 Minutes

Directed by | John Bailey | Cinematography by | John Bailey, Matthew Williams | Editing by | Lou Angelo, Robert DeMaio, Christian Wagner

Starring | Lance Bass, J.C. Chasez, Joey Fatone, Chris Kirkpatrick

Cameras | Iwerks MSM 8870 Camera

India: Kingdom of the Tiger (2002)

Motion Picture | 2D | Film Project | Color | 42 Minutes

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Jean-Marie Drot

Starring | Colin Vint, Christopher Heyerdahl, Smriti Mishra, Hema Bisht

Cameras | IMAX MSM 9802 Camera

Lenses | Hasselblad Lenses

Malaria (2016)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 86 Minutes

Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi

Starring | Saed Soheili, Saghar Ghanaat, Azarakhsh Farahani, Azade Namdari

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

The Patriot (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 165 Minutes

Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe

Starring | Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

If Beale Street Could Talk (2018)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 119 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | KiKi Layne, Stephan James, Regina King, Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

Sleepless (2017)

Motion Picture | 2D | 2.8K Project | Color | 95 Minutes

Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz

Starring | Jamie Foxx, Michelle Monaghan, Dermot Mulroney, Gabrielle Union

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Lyubi ikh vsekh (2019)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Mariya Agranovich | Cinematography by | Dzmitry Karnachyk | Editing by | Olga Grinshpun

Starring | Alyona Mikhailova, Aleksandr Kuznetsov, Sergey Garmash, Aleksandra Kiselyova

Cameras | ARRI ALEXA Mini Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Just Like Heaven (2005)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green

Starring | Reese Witherspoon, Mark Ruffalo, Donal Logue, Dina Spybey-Waters

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Music of the Heart (1999)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier

Starring | Meryl Streep, Cloris Leachman, Henry Dinhofer, Michael Angarano

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Paradise Now (2005)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos

Starring | Kais Nashif, Ali Suliman, Lubna Azabal, Hamza Abu-Aiaash

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Scythian (2018)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov

Starring | Aleksey Faddeev, Aleksandr Kuznetsov, Yuriy Tsurilo, Vasilisa Izmaylova

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

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