Visual Effects Executive Producer: Ghost VFX - 4 Episodes, 2022
From (2022)
Edited by: Ana Yavari, Wendy Hallam Martin, Stephen Lawrence, Dan Briceno, Michele Conroy, Maxyme Tremblay
Cameras: ARRI ALEXA Series Cameras
Visual Effects Supervisor
'Fargo' The Law of Inevitability (2017)
Directed by: Mike Barker
Cinematography by: Craig Wrobleski
Edited by: Curtis Thurber
Visual Effects Supervisor
'Fargo' Somebody to Love (2017)
Directed by: Keith Gordon
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Supervisor
'Fargo' The House of Special Purpose (2017)
Directed by: Dearbhla Walsh
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Supervisor
'Fargo' The Lord of No Mercy (2017)
Directed by: Dearbhla Walsh
Cinematography by: Dana Gonzales
Edited by: Henk Van Eeghen
Visual Effects Supervisor
'Fargo' The Law of Non-Contradiction (2017)
Directed by: John Cameron
Cinematography by: Dana Gonzales
Edited by: Andrew Seklir
Visual Effects Supervisor
'Fargo' The Narrow Escape Problem (2017)
Directed by: Michael Uppendahl
Cinematography by: Craig Wrobleski
Edited by: Curtis Thurber
Visual Effects Supervisor
'Fargo' The Principle of Restricted Choice (2017)
Directed by: Michael Uppendahl
Cinematography by: Craig Wrobleski
Edited by: Henk Van Eeghen
Visual Effects Supervisor
'Fargo' The Law of Vacant Places (2017)
Directed by: Noah Hawley
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Supervisor - 8 Episodes, 2017
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Division Visual Effects Producer: Pixomondo
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Division Visual Effects Producer: Pixomondo
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects Executive Producer: Pixomondo
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Division Visual Effects Producer: Pixomondo
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Visual Effects: Zoic Studios
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Division Visual Effects Producer: Pixomondo
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects Producer: Soho VFX
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Visual Effects Producer: Soho VFX
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Visual Effects Producer: Soho VFX
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects Producer: Soho VFX
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects Producer: Soho Vfx
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Visual Effects Producer: Soho Vfx
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Head Of Production: Soho Vfx
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Soho Vfx
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Visual Effects Producer
The Love Guru (2008)
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Visual Effects Producer: Soho VFX
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Visual Effects Supervisor: Soho VFX
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Production Supervisor: Soho VFX
Brooklyn Rules (2007)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Visual Effects Supervisor: Soho VFX
Black Christmas (2006)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Production Supervisor: Soho VFX
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Production Supervisor: Soho VFX
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Visual Effects Producer: Soho VFX
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Digital Effects Producer: Soho VFX
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Production Supervisor: Soho VFX
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Producer: Soho VFX
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Producer: Soho Vfx
Water (2005)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Visual Effects Producer: Soho VFX
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Producer: Visual Effects, Soho VFX
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Producer: Titles, Soho VFX
Ice Bound (2003)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Edited by: Dominique Fortin
Visual Effects Producer: Soho VFX
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Production Manager
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Production Manager
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
3D Animator: C.O.R.E. Digital Pictures / Production Manager: C.O.R.E. Digital Pictures
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Production Manager: C.O.R.E. Digital Pictures
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
3D Animator: C.O.R.E. Digital Pictures
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
3D Animator: C.O.R.E. Digital Pictures
Thomas and the Magic Railroad (2000)
Directed by: Britt Allcroft
Cinematography by: Paul Ryan
Edited by: Ron Wisman
