Charlene Eberle Douglas

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6 Underground | ShotOnWhat?

Additional Visual Effects By: Raynault VFX

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

The Predator | ShotOnWhat?

Executive Visual Effects Producer: Raynault Vfx

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Visual Effects Executive Producer: Image Engine

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Visual Effects Executive Producer: Image Engine

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

300: Rise of an Empire | ShotOnWhat?

Vfx Crew: Scanline VFX

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Into the Storm | ShotOnWhat?

Visual Effects Producer: Scanline VFX

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Wolf of Wall Street | ShotOnWhat?

Visual Effects Producer: Method Studios

The Wolf of Wall Street (2013)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

A Good Day to Die Hard | ShotOnWhat?

Visual Effects Producer: Scanline VFX

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Man of Steel | ShotOnWhat?

Visual Effects Producer: Scanline VFX

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Final Destination 5 | ShotOnWhat?

Visual Effects Producer: Prime Focus

Final Destination 5 (2011)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Twilight Saga: New Moon | ShotOnWhat?

Visual Effects Producer

The Twilight Saga: New Moon (2009)

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Dragonball: Evolution | ShotOnWhat?

Visual Effects: Plate Supervisor

Dragonball Evolution (2009)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Hot Rod | ShotOnWhat?

Visual Effects Supervisor

Hot Rod (2007)

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

Trick 'r Treat | ShotOnWhat?

Visual Effects Supervisor

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Eight Below | ShotOnWhat?

Visual Effects Data Technician

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Garfield: A Tail of Two Kitties | ShotOnWhat?

Visual Effects Supervisor: Rainmaker

Garfield: A Tail of Two Kitties (2006)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Fantastic Four | ShotOnWhat?

Visual Effects On-set Data Coordinator

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

I, Robot | ShotOnWhat?

Visual Effects Coordinator

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Freddy vs. Jason | ShotOnWhat?

Visual Effects Coordinator

Freddy vs. Jason (2003)

Directed by: Ronny Yu

Cinematography by: Fred Murphy

Edited by: Mark Stevens

It's a Very Merry Muppet Christmas Movie | ShotOnWhat?

On-set Visual Effects Coordinator

It's a Very Merry Muppet Christmas Movie (2002)

Television Movie

Directed by: Kirk R. Thatcher

Cinematography by: Tony Westman

Edited by: Gregg Featherman

Cameras: Panavision Cameras

I Spy | ShotOnWhat?

Plate Coordinator: Vancouver, SPI

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Bones | ShotOnWhat?

Visual Effects Coordinator

Bones (2001)

Directed by: Ernest R. Dickerson

Cinematography by: Flavio Martínez Labiano

Edited by: Michael N. Knue, Stephen Lovejoy

Final Destination | ShotOnWhat?

Visual Effects Coordinator

Final Destination (2000)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

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