Set Medic
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Key Medic
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Set Medic
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Set Medic
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Set Medic
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Medic, Straight Line Testimonial #1
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Set Medic
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Set Medic
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Medic
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Set Medic
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Set Medic
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Set Medic
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Set Medic
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Medic
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Set Medic
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Set Medic
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
First Aid
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Set Medic
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
First Aid
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Medic
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Set Medic
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
On Set Medic
'The Sopranos' Made in America (2007)
Directed by: David Chase
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Walk Like a Man (2007)
Directed by: Terence Winter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Remember When (2007)
Directed by: Phil Abraham
Cinematography by: William Coleman
Edited by: Lynne Whitlock
On Set Medic
'The Sopranos' Chasing It (2007)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' Soprano Home Movies (2007)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' Stage 5 (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Set Medic
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Technical Advisor / Technical Advisor
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
On Set Medic
'The Sopranos' Kennedy and Heidi (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' The Second Coming (2007)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Lynne Whitlock
On Set Medic
'The Sopranos' The Blue Comet (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' Live Free or Die (2006)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Medical Technical Consultant
'The Sopranos' Mr. & Mrs. John Sacrimoni Request (2006)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: William B. Stich
Medical Technical Consultant
'The Sopranos' Join the Club (2006)
Directed by: David Nutter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Medical Technical Consultant
'The Sopranos' Mayham (2006)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Medical Technical Consultant
'The Sopranos' The Fleshy Part of the Thigh (2006)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Medical Technical Consultant
'The Sopranos' Members Only (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Luxury Lounge (2006)
Directed by: Danny Leiner
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' The Ride (2006)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: Michael Ruscio
On Set Medic
'The Sopranos' Johnny Cakes (2006)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' Moe n' Joe (2006)
Directed by: Steve Shill
Cinematography by: Alik Sakharov
Edited by: Michael Ruscio
On Set Medic
'The Sopranos' Kaisha (2006)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' Cold Stones (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Medic
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Set Medic
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
On-set Medic: New York
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
On Set Medic
'The Sopranos' Rat Pack (2004)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' Where's Johnny? (2004)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' Two Tonys (2004)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' All Happy Families (2004)
Directed by: Rodrigo García
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Irregular Around the Margins (2004)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' Sentimental Education (2004)
Directed by: Peter Bogdanovich
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' In Camelot (2004)
Directed by: Steve Buscemi
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' Marco Polo (2004)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' Unidentified Black Males (2004)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' The Test Dream (2004)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' All Due Respect (2004)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Long Term Parking (2004)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On-set Medic
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Medic: New York
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
On Set Medic
'The Sopranos' Cold Cuts (2004)
Directed by: Mike Figgis
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Watching Too Much Television (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Set Medic
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
On Set Medic
'The Sopranos' For All Debts Public and Private (2002)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' No Show (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' Christopher (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' The Weight (2002)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
On Set Medic
'The Sopranos' Pie-o-My (2002)
Directed by: Henry Bronchtein
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Everybody Hurts (2002)
Directed by: Steve Buscemi
Cinematography by: Alik Sakharov
Edited by: William B. Stich
On Set Medic
'The Sopranos' Mergers and Acquisitions (2002)
Directed by: Daniel Attias
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Whoever Did This (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
On Set Medic
'The Sopranos' The Strong, Silent Type (2002)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
On Set Medic
'The Sopranos' Calling All Cars (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
On Set Medic
'The Sopranos' Whitecaps (2002)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Set Medic
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Set Medic
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Insulin Treatment Nurse, Set Medic
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Technical Advisor
'The Sopranos' The Telltale Moozadell (2001)
Directed by: Daniel Attias
Cinematography by: Phil Abraham
Edited by: William B. Stich
Technical Advisor
'The Sopranos' Second Opinion (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Medical Consultant
'The Sopranos' From Where to Eternity (2000)
Directed by: Henry Bronchtein
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Medical Consultant
'The Sopranos' Full Leather Jacket (2000)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
On Set Medic / Medical Technical Consultant / Medical Consultant / Technical Advisor - 51 Episodes, 2000-2007
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Set Medic
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Set Medic
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
