Color Timer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Color Timer
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Color Timer
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Color Timer
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Color Timer
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Color Timer
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Color Timer
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Color Timer
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Color Timer
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Color Timer
Only God Forgives (2013)
Directed by: Nicolas Winding Refn
Cinematography by: Larry Smith
Edited by: Matthew Newman
Cameras: ARRI ALEXA Camera, Red Epic Camera
Color Timer
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Color Timer: DeLuxe Film Finish Lab
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Color Timer
Evil Dead (2013)
Directed by: Fede Alvarez
Cinematography by: Aaron Morton
Edited by: Bryan Shaw
Cameras: Sony CineAlta F65 Camera
Color Timer
The Collection (2012)
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Color Timer
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Color Timer
Robot & Frank (2012)
Directed by: Jake Schreier
Cinematography by: Matthew J. Lloyd
Edited by: Jacob Craycroft
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Color Timer
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Color Timer
Safety Not Guaranteed (2012)
Directed by: Colin Trevorrow
Cinematography by: Benjamin Kasulke
Cameras: Sony PMW-F3 Camera
Color Timer
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Color Timer
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Color Timer
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Color Timer
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Color Timer
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Color Timer
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Color Timer
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Color Timer
Damsels in Distress (2011)
Directed by: Whit Stillman
Cinematography by: Doug Emmett
Edited by: Andrew Hafitz
Color Timer
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Color Timer
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Color Timer
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Lab Color Timer
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Color Timer
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Color Timer
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Color Timer
The Boondock Saints II: All Saints Day (2009)
Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak
Color Timer
Next Day Air (2009)
Directed by: Benny Boom
Cinematography by: David A. Armstrong
Edited by: David Checel
Color Timer
The Perfect Game (2009)
Directed by: William Dear
Cinematography by: Bryan Greenberg
Edited by: Chris Conlee
Color Timer
Spread (2009)
Directed by: David Mackenzie
Cinematography by: Steven Poster
Edited by: Nicholas Erasmus
Color Timer
The Killing Room (2009)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Sean Carter
Color Timer
Paraiso Travel (2008)
Directed by: Simon Brand
Cinematography by: Rafa Lluch
Edited by: Alberto de Toro
Cameras: ARRI Cameras
Post-production
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Post-production
What Doesn't Kill You (2008)
Directed by: Brian Goodman
Cinematography by: Christopher Norr
Edited by: Robert Hoffman
Color Timer
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Post-production
Already Dead (2007)
Directed by: Joe Otting
Cinematography by: Eric Trageser
Edited by: Adam Sobocienski
Color Timer: Deluxe
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Color Timer
Tooth and Nail (2007)
Directed by: Mark Young
Cinematography by: Gregg Easterbrook
Edited by: Mark Young
Color Timer
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Color Timer
Malos hábitos (2007)
Directed by: Simón Bross
Cinematography by: Eduardo Martínez Solares
Color Timer
Believe in Me (2006)
Directed by: Robert Collector
Cinematography by: James L. Carter
Edited by: Anthony Redman
Color Timer
God Grew Tired of Us (2006)
Color Timer
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Color Timer
All the Boys Love Mandy Lane (2006)
Directed by: Jonathan Levine
Cinematography by: Darren Genet
Edited by: Josh Noyes
Player In Locker Room
Pitcher and the Pin-Up (2003)
Directed by: Drew Johnson
Cinematography by: Doug Glover
Edited by: Drew Johnson
