Visual Effects Production Manager: Weta FX
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Visual Effects Coordinator: Scanline VFX
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Vfx Associate Producer: Scanline VFX Munich
'Game of Thrones' First of His Name (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Vfx Associate Producer: ScanlineVFX
Big Game (2014)
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
Visual Effects Associate Producer: ScanlineVFX Munich
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Associate Producer: ScanlineVFX Munich
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Visual Effects Editor: ScanlineVFX
Snowpiercer (2013)
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Visual Effects Editor: Scanline VFX
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Vfx Editor: ScanlineVFX
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Visual Effects Editor: ScanlineVFX
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Visual Effects Editor: ScanlineVFX Munich
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
I/o: ScanlineVFX Munich
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Vfx Editor: ScanlineVFX
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Visual Effects Editor: ScanlineVFX
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Production Support: Scanline VFX
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Vfx Editor: ScanlineVFX
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Vfx Associate Producer: Scanline VFX Munich - 1 Episode, 2014
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Vfx Editor: ScanlineVFX
Wickie auf großer Fahrt (2011)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Ueli Christen
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Vfx Editor: ScanlineVFX
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
I/o Coordinator: ScanlineVFX
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
I/o Coordinator: ScanlineVFX
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Visual Effects
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
