Sound Designer
Slender Man (2018)
Directed by: Sylvain White
Cinematography by: Luca Del Puppo
Edited by: Jake York
Cameras: Sony PMW-F55 Camera, Sony α7S II Camera
Supervising Adr Editor
'Queen of the South' El Mundo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Supervising ADR Editor
'Queen of the South' Justicia (2018)
Directed by: Laura Belsey
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Supervising ADR Editor
'Queen of the South' Diez de Copas (2018)
Directed by: Nick Copus
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Supervising ADR Editor
'Queen of the South' La Muerte (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Supervising ADR Editor
'Queen of the South' El Diablo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Supervising ADR Editor
'Queen of the South' El Carro (2018)
Directed by: Ben Hernandez Bray
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Supervising ADR Editor
'Queen of the South' Reina de Espadas (2018)
Directed by: Meera Menon
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Supervising ADR Editor
'Queen of the South' Los Enamorados (2018)
Directed by: Rebecca Rodriguez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Supervising ADR Editor
'Queen of the South' La Fuerza (2018)
Directed by: Darren Grant
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Supervising ADR Editor
'Queen of the South' El Juicio (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Supervising Adr Editor
'Queen of the South' Reina de Oros (2018)
Directed by: David Grossman
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Supervising Adr Editor
'Queen of the South' La Ermitaña (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Supervising ADR Editor
'Queen of the South' El Colgado (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Supervising ADR Editor / Supervising Adr Editor / Supervising ADR Editor - 13 Episodes, 2018
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Sound Effects Editor
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Supervising Sound Editor
Beyond the Lights (2014)
Directed by: Gina Prince-Bythewood
Cinematography by: Tami Reiker
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA M Camera
Sound Effects Editor
If I Stay (2014)
Directed by: R.J. Cutler
Cinematography by: John de Borman
Edited by: Keith Henderson
Additional Re-recording Mixer / Supervising Sound Editor / Sound Re-recording Mixer
Still Alice (2014)
Cinematography by: Denis Lenoir
Edited by: Nicolas Chaudeurge
Cameras: ARRI ALEXA Camera
Sound Effects Editor - 1 Episode, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Additional Sound Editor
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Supervising Sound Editor
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Sound Effects Editor
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Sound Effects Editor
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Sound Designer , Sound Effects Editor
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Sound Effects Editor
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Dialogue Editor - 1 Episode, 2018
Scandal (2012)
Directed by: Tom Verica, Oliver Bokelberg, Allison Liddi-Brown, Tony Goldwyn, Randy Zisk, Jann Turner, Jeannot Szwarc, Steve Robin, Paul McCrane, Mark Tinker, Debbie Allen, Scott Foley, Sharat Raju, Stephen Cragg, Michael Katleman, Ron Underwood, Roxann Dawson, Julie Anne Robinson, Zetna Fuentes, Regina King, Steph Green, Nzingha Stewart, Nicole Rubio, Paul McGuigan, Bethany Rooney, Jessica Yu, Ava DuVernay, Kevin Bray, David Rodriguez, John Terlesky, Chandra Wilson, Paris Barclay, Salli Richardson-Whitfield, Millicent Shelton, Gregory T. Evans, Joe Morton, Daryn Okada, Darby Stanchfield, Kerry Washington, Valerie Weiss
Cinematography by: Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon
Edited by: Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Lenses: Angenieux Optimo Zoom Lenses
Sound Designer / Sound Effects Editor / Supervising Sound Editor
Choose (2011)
Directed by: Marcus Graves
Cinematography by: David Darby
Sound Designer / Supervising Sound Editor
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Sound Designer / Supervising Sound Editor
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Supervising Sound Editor
Welcome to the Rileys (2010)
Directed by: Jake Scott
Cinematography by: Christopher Soos
Edited by: Nicolas Gaster
Sound Effects Editor
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Supervising Sound Editor
Meek's Cutoff (2010)
Directed by: Kelly Reichardt
Cinematography by: Christopher Blauvelt
Edited by: Kelly Reichardt
Sound Designer / Supervising Sound Editor
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Sound Designer , Supervising Sound Editor
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Supervising Sound Editor
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Sound Editor
Wendy and Lucy (2008)
Directed by: Kelly Reichardt
Cinematography by: Sam Levy
Edited by: Kelly Reichardt
Cameras: ARRIFLEX 16SR3 Camera
Sound Effects Editor
'Dexter' Crocodile (2006)
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Sound Effects Editor
'Dexter' Dexter (2006)
Directed by: Michael Cuesta
Cinematography by: Terry Stacey
Edited by: Elena Maganini
Sound Effects Editor
'Dexter' Popping Cherry (2006)
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Sound Effects Editor
'Dexter' Let's Give the Boy a Hand (2006)
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Sound Effects Editor
'Dexter' Love American Style (2006)
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Sound Effects Editor
'Dexter' Return to Sender (2006)
Directed by: Tony Goldwyn
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Sound Effects Editor
'Dexter' Circle of Friends (2006)
Directed by: Steve Shill
Cinematography by: Romeo Tirone
Edited by: Padraic McKinley
Sound Effects Editor
'Dexter' Shrink Wrap (2006)
Directed by: Tony Goldwyn
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Sound Effects Editor
'Dexter' Father Knows Best (2006)
Directed by: Adam Davidson
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Sound Effects Editor
'Dexter' Seeing Red (2006)
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Padraic McKinley
Sound Effects Editor
'Dexter' Truth Be Told (2006)
Directed by: Keith Gordon
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Sound Effects Editor
'Dexter' Born Free (2006)
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Sound Effects Editor - 12 Episodes, 2006
Dexter (2006)
Directed by: John Dahl, Steve Shill, Keith Gordon, Marcos Siega, Ernest R. Dickerson, Romeo Tirone, Michael Cuesta, Tony Goldwyn, S.J. Clarkson, Stefan Schwartz, Robert Lieberman, Nick Gomez, Tim Hunter, Michael Lehmann, Holly Dale, Alik Sakharov, Adam Davidson, Jeremy Podeswa, Brian Kirk, Milan Cheylov, Seith Mann, Michael C. Hall
Foley Editor
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Sound Editor
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Sound Effects Editor
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Sound Effects Editor
Cheats (2002)
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Sound Effects Editor
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Sound Effects Editor
New Best Friend (2002)
Directed by: Zoe Clarke-Williams
Cinematography by: Tom Priestley Jr.
Cameras: Panavision Cameras
Sound Effects Editor
Laurel Canyon (2002)
Directed by: Lisa Cholodenko
Cinematography by: Wally Pfister
Edited by: Amy E. Duddleston
Sound Effects Editor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Session 9 (2001)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Brad Anderson
Sound Effects Editor
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Sound Effects Editor
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Sound Effects Editor
Legally Blonde (2001)
Directed by: Robert Luketic
Cinematography by: Anthony B. Richmond
Sound Effects Editor
3000 Miles to Graceland (2001)
Directed by: Demian Lichtenstein
Cinematography by: David Franco
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Sound Effects Editor
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Sound Effects Editor
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Drop Dead Gorgeous (1999)
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Sound Effects Editor
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Sound Effects Editor
American History X (1998)
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Sound Effects Editor
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Sound Effects Editor
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Supervising Sound Effects Editor
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Sound Effects Editor
Hoodlum (1997)
Directed by: Bill Duke
Cinematography by: Frank Tidy
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Sound Effects Editor
The End of Violence (1997)
Directed by: Wim Wenders
Cinematography by: Pascal Rabaud
Edited by: Peter Przygodda
Sound Effects Editor
Lost Highway (1997)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Sound Effects Editor
Spy Hard (1996)
Directed by: Rick Friedberg
Cinematography by: John R. Leonetti
Edited by: Eric A. Sears
