Music Editor
The Sun Is Also a Star (2019)
Directed by: Ry Russo-Young
Cinematography by: Autumn Durald Arkapaw
Edited by: Joe Landauer
Cameras: ARRI ALEXA Mini Camera
Music Editor
Monster (2018)
Directed by: Anthony Mandler
Cinematography by: David Devlin
Edited by: Joe Klotz
Cameras: Red Epic Dragon Camera
Music Editor
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Music Editor
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Music Preparation
'Unbreakable Kimmy Schmidt' Kimmy Makes Waffles! (2015)
Directed by: Tristram Shapeero
Cinematography by: John Inwood
Edited by: Meg Reticker
Music Preparation
'Unbreakable Kimmy Schmidt' Kimmy's in a Love Triangle! (2015)
Directed by: Jeff Richmond
Cinematography by: John Inwood
Edited by: Ken Eluto
Music Preparation
'Unbreakable Kimmy Schmidt' Kimmy Goes to a Party! (2015)
Directed by: Nicole Holofcener
Cinematography by: John Inwood
Edited by: Meg Reticker
Music Preparation - 3 Episodes, 2015
Unbreakable Kimmy Schmidt (2015)
Directed by: Tristram Shapeero, Michael Engler, Beth McCarthy-Miller, Jeff Richmond, Claire Scanlon, Ken Whittingham, Todd Holland, Linda Mendoza, Maggie Carey, Robert Carlock, Jaffar Mahmood, Don Scardino, Nicole Holofcener, Steve Buscemi, Shawn Levy, John Riggi, Gail Mancuso, Claire Cowperthwaite, Rhys Thomas, Jude Weng
Cinematography by: John Inwood
Edited by: Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner
Cameras: Red Epic Dragon Camera, Red Helium (Weapon) 8K
Assistant Music Editor
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Preparation
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Music Produced By
Stalingrad (2013)
Directed by: Fedor Bondarchuk
Cinematography by: Maksim Osadchiy-Korytkovskiy
Edited by: Igor Litoninskiy
Cameras: Red Epic Camera
Music Copyist
'30 Rock' Hogcock!/Last Lunch (2013)
Directed by: Beth McCarthy-Miller
Cinematography by: Peter Reniers
Assistant Music Editor
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Music Co-producer
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Musician: Saxophones
'30 Rock' Double-Edged Sword (2011)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Ken Eluto
Musician: Saxophones
'30 Rock' Everything Sunny All the Time Always (2011)
Directed by: John Riggi
Cinematography by: Matthew Clark
Edited by: Ken Eluto
Music Editor
Un baiser papillon (2011)
Directed by: Karine Silla
Cinematography by: Thomas Hardmeier
Edited by: Anny Danché
Cameras: ARRICAM Lite (LT) Camera
Music Copyist
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Music Copyist
'30 Rock' Kidney Now! (2009)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Meg Reticker
Score Recordist
44 Inch Chest (2009)
Directed by: Malcolm Venville
Cinematography by: Daniel Landin
Edited by: Rick Russell
Cameras: ARRICAM Lite (LT) Camera
Soundtrack Coordinator
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Score Recordist
The Betrayal - Nerakhoon (2008)
Cinematography by: Ellen Kuras
Edited by: Thavisouk Phrasavath
Music Preparation
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Music Copyist / Musician: Saxophones - 4 Episodes, 2009-2013
30 Rock (2006)
Directed by: Don Scardino, Beth McCarthy-Miller, John Riggi, Michael Engler, Gail Mancuso, Adam Bernstein, Ken Whittingham, Jeff Richmond, Stephen Lee Davis, Scott Ellis, Steve Buscemi, Tricia Brock, Todd Holland, Millicent Shelton, Claire Cowperthwaite, Linda Mendoza, Juan José Campanella, Paul Feig, Dennie Gordon, Richard Shepard, Kevin Rodney Sullivan, Constantine Makris, Robert Carlock, Jamie Sheridan, Michael Slovis
Cinematography by: Matthew Clark, Vanja Cernjul, Peter Reniers, Michael Slovis, Tom Houghton, Michael Trim, Calen Lang, Peter Agliata, William Klayer
Score Recordist
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Score Coordinator
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Picture Analysis, Score Coordinator
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Pre-production
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Music Editor: Eventone
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Music Editor: Eventone
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Music Crew
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Picture Analysis
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Additional Music Crew
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
