Mark Harmon

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Elvis | ShotOnWhat?

Compositor: Future Associate

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Sonic the Hedgehog | ShotOnWhat?

Senior Compositor: Future Associate

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Skyscraper | ShotOnWhat?

Compositor: Iloura

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

John Wick: Chapter 2 | ShotOnWhat?

Compositor: Iloura

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Compositor: MPC

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Compositor: Mpc

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Murder on the Orient Express | ShotOnWhat?

Compositor

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Gods of Egypt | ShotOnWhat?

Compositor: Iloura

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

X-Men: Apocalypse | ShotOnWhat?

Compositor: Mpc

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Mad Max: Fury Road | ShotOnWhat?

Compositor: Iloura

Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Son of a Gun | ShotOnWhat?

Compositor

Son of a Gun (2014)

Directed by: Julius Avery

Cinematography by: Nigel Bluck

Edited by: Jack Hutchings

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Lenses

Wolf Creek 2 | ShotOnWhat?

Compositor: Kojo

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Prometheus | ShotOnWhat?

Digital Compositor: Fuel VFX

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Stereo Compositor

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Compositor: Iloura

Ghost Rider: Spirit of Vengeance (2011)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

Knowing | ShotOnWhat?

Compositor

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Australia | ShotOnWhat?

Rotoscope Artist: Animal Logic

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

28 Weeks Later | ShotOnWhat?

Compositor: Animal Logic

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

300 | ShotOnWhat?

Roto/paint Artist: Animal Logic

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

Happy Feet | ShotOnWhat?

Additional Compositor

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

The Great Raid | ShotOnWhat?

Scanning And Recording Operator: Animal Logic

The Great Raid (2005)

Directed by: John Dahl

Cinematography by: Peter Menzies Jr.

Edited by: Scott Chestnut, Pietro Scalia

House of Flying Daggers | ShotOnWhat?

Digital Grading

House of Flying Daggers (2004)

Directed by: Yimou Zhang

Cinematography by: Xiaoding Zhao

Edited by: Long Cheng

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke Lenses, Zeiss Lenses

The Matrix Reloaded | ShotOnWhat?

Scanning Recording

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Danny Deckchair | ShotOnWhat?

Digital Color Grader: Animal Logic Film / Opticals: Animal Logic Film

Danny Deckchair (2003)

Directed by: Jeff Balsmeyer

Cinematography by: Martin McGrath

Edited by: Suresh Ayyar

The Crocodile Hunter: Collision Course | ShotOnWhat?

Compositor

The Crocodile Hunter: Collision Course (2002)

Directed by: John Stainton

Cinematography by: David Burr

Edited by: Suresh Ayyar, Bob Blasdall

The Quiet American | ShotOnWhat?

Digital Grading

The Quiet American (2002)

Directed by: Phillip Noyce

Cinematography by: Christopher Doyle

Edited by: John Scott

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Garage Days | ShotOnWhat?

Digital Optical Effects

Garage Days (2002)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Ghost Ship | ShotOnWhat?

Digital Grading

Ghost Ship (2002)

Directed by: Steve Beck

Cinematography by: Gale Tattersall

Edited by: Roger Barton

Moulin Rouge! | ShotOnWhat?

Scanning And Recording Operator: Animal Logic

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Two Hands | ShotOnWhat?

Scanning And Recording: Dfilm Digital Effects

Two Hands (1999)

Directed by: Gregor Jordan

Cinematography by: Malcolm McCulloch

Edited by: Lee Smith

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