Ian Bryce

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Ambulance | ShotOnWhat?

Producer - Produced By

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

6 Underground | ShotOnWhat?

Producer - P.g.a.

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Producer - Produced By - P.g.a.

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Producer

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Producer

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Producer

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Producer

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Producer

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Transformers: Revenge of the Fallen | ShotOnWhat?

Producer

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Hancock | ShotOnWhat?

Executive Producer

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers | ShotOnWhat?

Agent At Hoover Dam, Producer

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

The Island | ShotOnWhat?

Producer

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Tears of the Sun | ShotOnWhat?

Producer

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spider-Man | ShotOnWhat?

Producer

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Almost Famous | ShotOnWhat?

Producer

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Forces of Nature | ShotOnWhat?

Producer

Forces of Nature (1999)

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Saving Private Ryan | ShotOnWhat?

Producer

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Hard Rain | ShotOnWhat?

Producer, Stunts

Hard Rain (1998)

Directed by: Mikael Salomon

Cinematography by: Peter Menzies Jr.

Edited by: Amnon David, Paul Hirsch, Gillian L. Hutshing

Twister | ShotOnWhat?

Producer

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Speed | ShotOnWhat?

Executive Producer, Unit Production Manager

Speed (1994)

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rising Sun | ShotOnWhat?

Line Producer, Unit Production Manager

Rising Sun (1993)

Directed by: Philip Kaufman

Cinematography by: Michael Chapman

Edited by: Stephen A. Rotter, William S. Scharf

The Beverly Hillbillies | ShotOnWhat?

Producer, Unit Production Manager

The Beverly Hillbillies (1993)

Directed by: Penelope Spheeris

Cinematography by: Robert Brinkmann

Edited by: Ross Albert

Cameras: ARRIFLEX 535 B Camera

Batman Returns | ShotOnWhat?

Associate Producer, Production Manager

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Joe Versus the Volcano | ShotOnWhat?

Unit Production Manager

Joe Versus the Volcano (1990)

Directed by: John Patrick Shanley

Cinematography by: Stephen Goldblatt

Edited by: Richard Halsey, Kenneth Wannberg

Indiana Jones and the Last Crusade | ShotOnWhat?

Production Manager: USA

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Field of Dreams | ShotOnWhat?

Visual Effects Production Manager: ILM

Field of Dreams (1989)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Ian Crafford

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Willow | ShotOnWhat?

Production Executive: USA

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Who Framed Roger Rabbit | ShotOnWhat?

Assistant Director: ILM, Unit Production Manager: ILM

Who Framed Roger Rabbit (1988)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

Indiana Jones and the Temple of Doom | ShotOnWhat?

Second Assistant Director: Asian Unit

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Production Assistant

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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