Legal Counsel: Studio Babelsberg
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Production Legal Services: Germany
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Legal Services: Production Finance
3 Days to Kill (2014)
Directed by: McG
Cinematography by: Thierry Arbogast
Edited by: Audrey Simonaud
Legal Services: Germany
Big Game (2014)
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
Legal Counsel: Studio Babelsberg
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Legal Counsel: Studio Babelsberg, Unverzagt Von Have
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Legal Advisor: Unverzagt Von Have
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Legal Advisor: Financing / Legal Services: Production Finance
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Legal Advisor: Financing / Legal Services: Banks, Unverzagt Von Have / Legal Services: Production Finance
Black Death (2010)
Directed by: Christopher Smith
Cinematography by: Sebastian Edschmid
Edited by: Stuart Gazzard
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Death Race 2 (2010)
Directed by: Roel Reiné
Legal: Germany, Unverzagt And Katz
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Legal Counsel: Studio Babelsberg, Unverzagt Von Have
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Goal! III (2009)
Directed by: Andrew Morahan
Cinematography by: George Tiffin
Edited by: Giles Bury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Legal Advisor: Financing / Legal Services: Production Finance
Helen (2009)
Directed by: Sandra Nettelbeck
Cinematography by: Michael Bertl
Edited by: Barry Egan
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production Finance / Legal Services: Production
Mr. Nobody (2009)
Directed by: Jaco Van Dormael
Cinematography by: Christophe Beaucarne
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Legal Counsel: Studio Babelsberg
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Legal Counsel: Studio Babelsberg, Unverzagt Von Have
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Faubourg 36 (2008)
Directed by: Christophe Barratier
Cinematography by: Tom Stern
Edited by: Yves Deschamps
Legal Counsel: Studio Babelsberg
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Legal Counsel: Studio Babelsberg & German Financing
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Legal Advisor
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
Legal Counsel: Producer / Legal Services: Co-production / Legal Services: Production
Gangster No. 1 (2000)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Cameras: Aaton Cameras, Panavision Cameras
