Donna O'Neal

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First Man | ShotOnWhat?

Costume Supervisor

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

War Dogs | ShotOnWhat?

Costume Supervisor

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

Big Eyes | ShotOnWhat?

Key Costumer

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Key Set Costumer

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Key Set Costumer

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Rum Diary | ShotOnWhat?

Costume Supervisor

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

In Time | ShotOnWhat?

Key Set Costumer

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Dinner for Schmucks | ShotOnWhat?

Costumer

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Costume Supervisor

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Public Enemies | ShotOnWhat?

Key Set Costumer

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

State of Play | ShotOnWhat?

Key Set Costumer

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Costumer: Ms. Blanchett

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Key Set Costumer

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Next | ShotOnWhat?

Costumer

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Mission: Impossible III | ShotOnWhat?

Key Set Costumer

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Memoirs of a Geisha | ShotOnWhat?

Key Set Costumer

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Series of Unfortunate Events | ShotOnWhat?

Chief Set Costumer

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Big Fish | ShotOnWhat?

Key Set Costumer

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Daredevil | ShotOnWhat?

Key Set Costumer

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

8 Mile | ShotOnWhat?

Costumer: Ms. Basinger

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Planet of the Apes | ShotOnWhat?

Key Costumer / Key Costumer: Second Unit

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Blow | ShotOnWhat?

Set Costumer

Blow (2001)

Directed by: Ted Demme

Cinematography by: Ellen Kuras

Edited by: Kevin Tent

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bless the Child | ShotOnWhat?

Key Set Costumer

Bless the Child (2000)

Directed by: Chuck Russell

Cinematography by: Peter Menzies Jr.

Edited by: Alan Heim

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses

I Dreamed of Africa | ShotOnWhat?

Costumer: Kim Basinger

I Dreamed of Africa (2000)

Directed by: Hugh Hudson

Cinematography by: Bernard Lutic

Edited by: Scott Thomas

Dark Angels | ShotOnWhat?

Costume Designer

Dark Angels (1998)

Directed by: David Wadley

Cinematography by: Edwin Myers

Edited by: Kevin Lindstrom

Editing System: K.E.M. Editing System

Beloved | ShotOnWhat?

Set Costumer

Beloved (1998)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Andy Keir, Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

L.A. Confidential | ShotOnWhat?

Costumer: Ms. Basinger

L.A. Confidential (1997)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

That Thing You Do! | ShotOnWhat?

Costumer

That Thing You Do! (1996)

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Ready to Wear | ShotOnWhat?

Assistant: Kim Basinger

Ready to Wear (1994)

Directed by: Robert Altman

Cinematography by: Jean Lépine, Pierre Mignot

Edited by: Suzy Elmiger, Geraldine Peroni

The Getaway | ShotOnWhat?

Costumer: Ms. Basinger

The Getaway (1994)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Real McCoy | ShotOnWhat?

Costume Designer

The Real McCoy (1993)

Directed by: Russell Mulcahy

Cinematography by: Denis Crossan

Edited by: Peter Honess

Final Analysis | ShotOnWhat?

Costumer

Final Analysis (1992)

Directed by: Phil Joanou

Cinematography by: Jordan Cronenweth

Edited by: Thom Noble

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Don't Tell Mom the Babysitter's Dead | ShotOnWhat?

Wardrobe Supervisor

Don't Tell Mom the Babysitter's Dead (1991)

Directed by: Stephen Herek

Cinematography by: Tim Suhrstedt

Edited by: Larry Bock

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