Special Effects Coordinator
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Coordinator
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Special Effects Coordinator
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Special Effects Coordinator
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Special Effects Coordinator
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Special Effects Coordinator
The Private Lives of Pippa Lee (2009)
Directed by: Rebecca Miller
Cinematography by: Declan Quinn
Edited by: Sabine Hoffman
Special Effects Coordinator: New York
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Special Effects Coordinator
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Special Effects: Concert
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Special Effects - 1 Episode, 2007
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Special Effects
'Mad Men' Smoke Gets in Your Eyes (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Special Effects
'The Sopranos' Walk Like a Man (2007)
Directed by: Terence Winter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Remember When (2007)
Directed by: Phil Abraham
Cinematography by: William Coleman
Edited by: Lynne Whitlock
Special Effects
'The Sopranos' Chasing It (2007)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Soprano Home Movies (2007)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' Stage 5 (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Kennedy and Heidi (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' The Second Coming (2007)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Lynne Whitlock
Special Effects
'The Sopranos' The Blue Comet (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' Made in America (2007)
Directed by: David Chase
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects: New Jersey
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Special Effects Coordinator: New York
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Special Effects
'The Sopranos' Cold Stones (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Kaisha (2006)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' The Ride (2006)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: Michael Ruscio
Special Effects
'The Sopranos' Moe n' Joe (2006)
Directed by: Steve Shill
Cinematography by: Alik Sakharov
Edited by: Michael Ruscio
Special Effects
'The Sopranos' Johnny Cakes (2006)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Luxury Lounge (2006)
Directed by: Danny Leiner
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Live Free or Die (2006)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Special Effects
'The Sopranos' Mr. & Mrs. John Sacrimoni Request (2006)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' Join the Club (2006)
Directed by: David Nutter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Mayham (2006)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Special Effects
'The Sopranos' The Fleshy Part of the Thigh (2006)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Members Only (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects Coordinator
'The Wire' Boys of Summer (2006)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Special Effects Supervisor: New York
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects: New York
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Special Effects Coordinator: New York
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Special Effects
'Law & Order' Fluency (2005)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Chris Brookshire
Special Effects
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Special Effects Coordinator
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Special Effects
'The Sopranos' Cold Cuts (2004)
Directed by: Mike Figgis
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Unidentified Black Males (2004)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' Marco Polo (2004)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' In Camelot (2004)
Directed by: Steve Buscemi
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Sentimental Education (2004)
Directed by: Peter Bogdanovich
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Irregular Around the Margins (2004)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' All Happy Families (2004)
Directed by: Rodrigo García
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Two Tonys (2004)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Rat Pack (2004)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' Where's Johnny? (2004)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects Supervisor: New York
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Special Effects Coordinator: New York
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Pyrotechnics: Insert Photography / Special Effects: Insert Photography
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects Coordinator
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Special Effects Coordinator
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Special Effects Coordinator - 1 Episode, 2006
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Special Effects
'The Sopranos' Whitecaps (2002)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Eloise (2002)
Directed by: James Hayman
Cinematography by: Alik Sakharov
Special Effects
'The Sopranos' The Strong, Silent Type (2002)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Whoever Did This (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' Watching Too Much Television (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' Everybody Hurts (2002)
Directed by: Steve Buscemi
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Pie-o-My (2002)
Directed by: Henry Bronchtein
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' The Weight (2002)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' Christopher (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects
'The Sopranos' No Show (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' For All Debts Public and Private (2002)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects Coordinator: New York
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Special Effects Coordinator
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects
'The Sopranos' He Is Risen (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' University (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Special Effects
'The Sopranos' Second Opinion (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' Another Toothpick (2001)
Directed by: Jack Bender
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Special Effects
'The Sopranos' Employee of the Month (2001)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Special Effects: Rhode Island
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Special Effects Coordinator
28 Days (2000)
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
'The Sopranos' Funhouse (2000)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Special Effects
'The Sopranos' The Knight in White Satin Armor (2000)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: William B. Stich
Special Effects Coordinator
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Special Effects - 49 Episodes, 2000-2007
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Mechanical Effects Coordinator: New York
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Special Effects
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Special Effects Coordinator
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Special Effects Coordinator
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Special Effects: New York And Pittsburgh
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Special Effects
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Special Effects
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Special Effects Coordinator: New York
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Special Effects Coordinator
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Special Effects
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Special Effects: New York
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Special Effects
'Law & Order' Heaven (1991)
Directed by: Edwin Sherin
Cinematography by: Constantine Makris
Edited by: Mark Newman
Special Effects
'Law & Order' The Torrents of Greed: Part 1 (1991)
Directed by: E.W. Swackhamer
Cinematography by: Constantine Makris
Edited by: Mark Newman
Special Effects
'Law & Order' The Torrents of Greed: Part 2 (1991)
Directed by: E.W. Swackhamer
Cinematography by: Constantine Makris
Edited by: Michael Kewley
Special Effects
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Special Effects
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Special Effects - 4 Episodes, 1991-2005
Law & Order (1990)
Directed by: Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Richard Dobbs, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, James Quinn, Arthur W. Forney, Lewis Gould, Michael Pressman, E.W. Swackhamer, Alex Hall, Daniel Sackheim, Alex Chapple, Jim McKay, Fred Gerber, Gloria Muzio, Fred Berner, James Frawley, Vincent Misiano, Darnell Martin, Michael W. Watkins, Vern Gillum, Stephen Wertimer, John Whitesell, Steven Robman, Dann Florek, Brian Mertes, Marc Levin, Marisol Adler, Mario Van Peebles, Milena Govich, Charles Correll, Gwen Arner, James Hayman, Gilbert M. Shilton, Steve Shill, Tim Hunter, Michael Dinner, William Klayer, Rose Troche, Roger Young, Yangzom Brauen, Bethany Rooney, Martin Davidson, Michael Fresco, John Patterson, Steve Cohen, Aaron Lipstadt, Kristoffer Tabori, Bill D'Elia, Peter Levin, Gilbert Moses, Gabrielle Beaumont, Bruce Seth Green, Helaine Head, Marc Laub, Dan Karlok, Adam Davidson, J. Ranelli, Paris Barclay, Rosemary Rodriguez, Eric Stoltz, Rick Wallace, Adam Bernstein, Tony Goldwyn, Joan Stein Schimke, Karen Gaviola, Sam Weisman, John David Coles, Allen Coulter, Alan Taylor, Dean White, Christopher Zalla, Norberto Barba, Ernest R. Dickerson, Joshua Marston, Rene Balcer, John Behring, Carlos Bernard, Sarah Boyd, Heather Cappiello, David Grossman, Eriq La Salle, Elisabeth Röhm, Carl Weathers, Timothy Busfield, Nestor Carbonell, Joy Lane, Rachel Leiterman
Cinematography by: Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld
Edited by: Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
Special Effects
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Special Effects Coordinator
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Special Effects
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Chief Special Effects Man
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
Special Effects: New York
Prizzi's Honor (1985)
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Special Effects
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Special Effects
I, the Jury (1982)
Directed by: Richard T. Heffron
Cinematography by: Andrew Laszlo
Edited by: Garth Craven
Cameras: Panavision Cameras
Special Effects
Fort Apache the Bronx (1981)
Directed by: Daniel Petrie
Cinematography by: John Alcott
Edited by: Rita Roland
Cameras: ARRI Cameras
Special Effects
Wolfen (1981)
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Special Effects
Gloria (1980)
Directed by: John Cassavetes
Cinematography by: Fred Schuler
Edited by: George C. Villaseñor
Special Effects
Night of the Juggler (1980)
Cinematography by: Victor J. Kemper
Edited by: Argyle Nelson Jr.
Property Master
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Stand-by Props
The Hospital (1971)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Eric Albertson