Special Effects Makeup Coordinator
Nazis at the Center of the Earth (2012)
Directed by: Joseph J. Lawson
Cinematography by: Alexander Yellen
Edited by: Rob Pallatina
Mold Maker: Legacy Effects
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Special Effects Project Leader: Sota FX
Zombie Apocalypse (2011)
Directed by: Nick Lyon
Cinematography by: Pedja Radenkovic
Edited by: James Kondelik
Mold Maker: Legacy FX
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Sculptor/fabricator: SOTA FX
Swamp Shark (2011)
Directed by: Griff Furst
Cinematography by: Lorenzo Senatore
Edited by: Matt Taylor
Mold Maker: Legacy FX
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Fabricator: Harlo FX
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Mold Maker: Proteus FX
Primal (2010)
Directed by: Josh Reed
Cinematography by: John Biggins
Edited by: Josh Reed
Cameras: Red One Camera
Mold Maker: Quantum Creation FX
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Mold Maker: KNB
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Mold Maker: Legacy FX
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Mechanic: Creature FX
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Sculptor/fabricator: Todd Masters FX
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Mold Maker/fabricator: Proteus FX
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Makeup Technician: Creature FX
Don't Look Up (2009)
Directed by: Fruit Chan
Cinematography by: Hang-Sang Poon
Edited by: Chris Wright
Sculptor/fabricator: Todd Masters FX
The New Daughter (2009)
Directed by: Luiso Berdejo
Cinematography by: Checco Varese
Fabricator: Todd Masters FX
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Sculptor/fabricator: Nextage FX / Special Effects Makeup
Parasomnia (2008)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Anthony Adler
Special Effects: Animatronic Horse
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Fabricator: Nextage FX
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Fabricator: Creature FX
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Mold Maker: Burman Studios
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Mold Department Supervisor: Creature FX, Mold Shop Supervisor
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Mold Maker: Proteus FX
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Mold Maker: Proteus FX
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Mold Maker: Masters FX
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Shop Technician: Monster FX
Reeker (2005)
Directed by: Dave Payne
Cinematography by: Mike Mickens
Edited by: Daniel Barone
Mold Maker: Sota FX
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Mold Maker: Creature Effects
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Mold Maker: Creature Effects
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Mold Maker: Creature Effects
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Mold Maker: XFX
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Maker
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
