First Assistant Director: New York Unit
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Second Unit First Assistant Director - 1 Episode, 2018
Maniac (2018)
Directed by: Cary Joji Fukunaga
Cinematography by: Darren Lew
Cameras: Panavision Millennium DXL Camera
Co-producer, First Assistant Director
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
First Assistant Director
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
First Assistant Director: Second Unit
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
First Assistant Director
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
First Assistant Director
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
First Assistant Director: Second Unit
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Co-producer, First Assistant Director , Operator
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Co-producer, First Assistant Director
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
First Assistant Director
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Second Unit Director: New York
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
First Assistant Director
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
First Assistant Director: New York
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
First Assistant Director: New York
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Co-producer, First Assistant Director
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
First Assistant Director
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Co-producer, First Assistant Director , Priest With Young Colin
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Aide To Howard, Co-producer, First Assistant Director
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
First Assistant Director
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
First Assistant Director
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Co-producer, First Assistant Director , Police Chief
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Assistant Director
Curb Your Enthusiasm (2000)
Directed by: Robert B. Weide, Jeff Schaffer, Larry Charles, Bryan Gordon, David Steinberg, Alec Berg, David Mandel, Andy Ackerman, Jeff Garlin, Dean Parisot, Keith Truesdell, Tom Kramer, Jessie Nelson, Cheryl Hines, Erin O'Malley
Edited by: Steven Rasch, Jonathan Corn, Roger Nygard, Grady Cooper, Tim Roche, Chris Chandler, Ivan Victor, Tom Foligno
Cameras: Panasonic Cameras, Sony Cameras
Co-producer, First Assistant Director, Photographer
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Co-producer, First Assistant Director , ICU Doctor
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Co-producer, First Assistant Director
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
First Assistant Director
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
First Assistant Director
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
First Assistant Director
Sleepers (1996)
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Associate Producer, First Assistant Director , Winner
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
First Assistant Director
Quiz Show (1994)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Cameras: ARRIFLEX 35mm Cameras
Associate Producer, First Assistant Director
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Associate Producer, First Assistant Director
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director
Night and the City (1992)
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Associate Producer, First Assistant Director
The Doors (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Associate Producer, First Assistant Director
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
First Assistant Director
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Associate Producer, First Assistant Director , Student Organizer, Student Organizer - Syracuse, NY
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
First Assistant Director
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
First Assistant Director
The House on Carroll Street (1987)
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
First Assistant Director: New York
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
First Assistant Director
Someone to Watch Over Me (1987)
Directed by: Ridley Scott
Cinematography by: Steven Poster
Edited by: Claire Simpson
First Assistant Director: New York
3 Men and a Baby (1987)
Directed by: Leonard Nimoy
Cinematography by: Adam Greenberg
Edited by: Michael A. Stevenson
First Assistant Director
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
First Assistant Director
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
First Assistant Director: Montage And Second Unit
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Second Assistant Director
The Survivors (1983)
Directed by: Michael Ritchie
Cinematography by: Billy Williams
Edited by: Richard A. Harris
Second Assistant Director
Tootsie (1982)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Second Assistant Director: New York
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Second Assistant Director: New York
Rich and Famous (1981)
Directed by: George Cukor
Cinematography by: Donald Peterman
Edited by: John F. Burnett
Cameras: Panavision Cameras
Second Assistant Director: New York
Four Friends (1981)
Directed by: Arthur Penn
Cinematography by: Ghislain Cloquet
