Special Effects Coordinator
Halloween Kills (2021)
Directed by: David Gordon Green
Cinematography by: Michael Simmonds
Edited by: Timothy Alverson
Second Unit Pyro Foreman, Stunts
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Special Effects Foreman
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Coordinator: USA, Bahamas / Special Effects First Assistant: Canada
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Pyro Foreman
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Technician: Pyrotechnics
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
On Set Foreman: New Orleans / Special Effects Coordinator: Reshoots, New Orleans
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Special Effects On-set Foreman
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Special Effects Technician
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Special Effects Coordinator
Flypaper (2011)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Tom Finan
Cameras: Canon EOS-7D Camera, Red One Camera
Special Effects Technician: Re-shoots
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Special Effects Technician
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Special Effects On-set Foreman
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Special Effects Key Foreman: Re-shoots
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Special Effects Technician
'The Vampire Diaries' Founder's Day (2010)
Directed by: Marcos Siega
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Technician
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Pyrotechnician
Why Did I Get Married Too? (2010)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Special Effects Technician
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Coordinator
'Army Wives' Need to Know Basis (2009)
Directed by: Allison Liddi-Brown
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Special Effects Technician
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Special Effects Technician
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Special Effects Coordinator
The Way of War (2009)
Directed by: John R. Carter
Cinematography by: Kevin Sarnoff
Cameras: ARRI Cameras
Special Effects
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Special Effects Technician
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Special Effects Technician - 1 Episode, 2010
The Vampire Diaries (2009)
Directed by: Chris Grismer, Joshua Butler, Michael A. Allowitz, Marcos Siega, Pascal Verschooris, Kellie Cyrus, J. Miller Tobin, John Behring, Jeffrey G. Hunt, Rob Hardy, Lance Anderson, Leslie Libman, Paul Wesley, John Dahl, Wendey Stanzler, Jesse Warn, Darren Genet, David Von Ancken, Liz Friedlander, Garreth Stover, Julie Plec, Geoffrey Wing Shotz, Ian Somerhalder, Kevin Bray, Tony Solomons, Michael Karasick, Rick Bota, Ernest R. Dickerson, Guy Ferland, David Barrett, Charles Beeson, Ralph Hemecker, Patrick R. Norris, Elizabeth Allen Rosenbaum, Dennis Smith, Jeff Woolnough, David Jackson, Michael Katleman, Paul M. Sommers, Darnell Martin, Brad Turner, Deborah Chow, Rashaad Ernesto Green, Tanya Hamilton, James L. Thompson III, Carol Banker
Cinematography by: Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters
Edited by: Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Coordinator
'Army Wives' Transitions (2008)
Directed by: John Terlesky
Cinematography by: Lloyd Ahern II
Edited by: Susan K. Weiler
Special Effects Coordinator
'Army Wives' Payback (2008)
Directed by: John T. Kretchmer
Cinematography by: Lloyd Ahern II
Edited by: Sharon Silverman
Special Effects Coordinator
'Army Wives' Thank You for Letting Me Share (2008)
Directed by: Carl Lawrence Ludwig
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Special Effects Coordinator
'Army Wives' Safe Havens (2008)
Directed by: Lloyd Ahern II
Cinematography by: Frank Perl
Edited by: Chris Peppe
Special Effects Coordinator
'Army Wives' Great Expectations (2008)
Directed by: Peter Werner
Cinematography by: Frank Perl
Edited by: Briana London
Special Effects Coordinator
'Army Wives' Mothers & Wives (2008)
Directed by: Chris Peppe
Cinematography by: Lloyd Ahern II
Edited by: Sharon Silverman
Special Effects Coordinator
'Army Wives' Duplicity (2008)
Directed by: Tim Hunter
Cinematography by: Lloyd Ahern II
Edited by: Christopher Cooke
Special Effects Coordinator
'Army Wives' Casting Out the Net (2008)
Directed by: Allison Liddi-Brown
Cinematography by: Lloyd Ahern II
Edited by: Susan Vaill
Special Effects Coordinator
'Army Wives' Thicker Than Water (2008)
Directed by: Tawnia McKiernan
Cinematography by: Lloyd Ahern II
Edited by: Sharon Silverman
Special Effects Coordinator
'Army Wives' The Hero Returns (2008)
Directed by: Joanna Kerns
Cinematography by: Lloyd Ahern II
Special Effects Coordinator
'Army Wives' The Messenger (2008)
Directed by: Kevin Dowling
Cinematography by: Todd McMullen
Edited by: Briana London
Special Effects Coordinator
'Army Wives' Leaving the Tribe (2008)
Directed by: Lloyd Ahern II
Cinematography by: Todd McMullen
Special Effects Coordinator
'Army Wives' Strangers in a Strange Land (2008)
Directed by: John T. Kretchmer
Edited by: Sharon Silverman
Special Effects Coordinator
'Army Wives' Last Minute Changes (2008)
Directed by: Stephen Gyllenhaal
Cinematography by: Lloyd Ahern II
Edited by: Chris Peppe
Special Effects Foreman
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Special Effects Technician
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Special Effects Technician
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Special Effects Coordinator
'Army Wives' Departures, Arrivals (2008)
Directed by: John T. Kretchmer
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Special Effects Coordinator
'Army Wives' A Tribe Is Born (2007)
Directed by: Ben Younger
Cinematography by: Lloyd Ahern II
Edited by: Chris Peppe
Special Effects Coordinator - 31 Episodes, 2007-2009
Army Wives (2007)
Directed by: John T. Kretchmer, Rob Spera, Joanna Kerns, Chris Peppe, Kevin Dowling, James Bruce, Allison Liddi-Brown, Carl Lawrence Ludwig, John Terlesky, Glenn Kershaw, Lloyd Ahern II, Emile B. Levisetti, Brian McNamara, Stephen Gyllenhaal, Melanie Mayron, Jeff Melman, Perry Lang, Patrick R. Norris, Peter Werner, Gloria Muzio, Christine Moore, Alex Shevchenko, Michael Lange, Ben Younger, Tim Hunter, Tawnia McKiernan, Tom Verica, Donna Deitch, Matia Karrell, Anna Foerster, Thom Rainey, Susan E. Walter, Debbie Allen, Kelli Williams
Edited by: Briana London, Sharon Silverman, Susan K. Weiler, Kurt Courtland, Chris Peppe, Alan Cody, Peter B. Ellis, Lauren A. Schaffer, Christopher Cooke, Susan Vaill, Meghan Robertson
Cameras: Sony PMW-F3 Camera
Special Effects Coordinator
'Army Wives' The Art of Separation (2007)
Directed by: Patrick R. Norris
Edited by: Chris Peppe
Special Effects Coordinator
'Army Wives' After Birth (2007)
Directed by: Perry Lang
Cinematography by: Lloyd Ahern II
Edited by: Alan Cody
Special Effects Coordinator
'Army Wives' Independence Day (2007)
Directed by: John T. Kretchmer
Cinematography by: Lloyd Ahern II
Edited by: Alan Cody
Special Effects Coordinator
'Army Wives' Who We Are (2007)
Directed by: Allison Liddi-Brown
Edited by: Chris Peppe
Special Effects Coordinator
'Army Wives' Hail & Farewell (2007)
Directed by: Kevin Dowling
Cinematography by: Lloyd Ahern II
Special Effects Coordinator
'Army Wives' Only the Lonely (2007)
Directed by: Rob Spera
Cinematography by: Lloyd Ahern II
Edited by: Alan Cody
Special Effects Coordinator
'Army Wives' Rules of Engagement (2007)
Directed by: Glenn Kershaw
Cinematography by: Lloyd Ahern II
Edited by: Chris Peppe
Special Effects Coordinator
'Army Wives' Truth and Consequences (2007)
Directed by: Perry Lang
Cinematography by: Lloyd Ahern II
Edited by: Alan Cody
Special Effects Coordinator
'Army Wives' Dirty Laundry (2007)
Directed by: Joanna Kerns
Cinematography by: Lloyd Ahern II
Edited by: Peter B. Ellis
Marine Coordinator, Special Effects Technician , Stunt Safety Diver
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Boat Captain
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Propmaker, Pyrotechnician
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Propmaker
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Special Effects Technician
The Dangerous Lives of Altar Boys (2002)
Directed by: Peter Care
Cinematography by: Lance Acord
Edited by: Chris Peppe
Propmaker, Special Effects Technician
O (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Special Effects Technician , Welder Fabricator
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Stunts
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Stunts
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Stunt Double
Andersonville (1996)
Directed by: John Frankenheimer
Cinematography by: Ric Waite
Edited by: Paul Rubell
