Screening Operations Executive
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Screening Operations Executive
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Screening Operations Executive
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Screening Operations Executive
Dirty Grandpa (2016)
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Screening Operations Executive
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Screening Operatons Executive
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Screening Operations Executive
A Monster Calls (2016)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Cameras: ARRI ALEXA XT Camera
Screening Operations Executive
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Screening Operations Executive
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Screening Operations Executive
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Screening Operations Executive
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Screening Operations Executive
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Screening Operations Executive
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Screening Operations Executive
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA XT Camera
Screening Operations Executive
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Screening Operations Executive
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Screening Operations Executive: Lionsgate
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Screening Operations Executive
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Screening Operations Executive
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Screening Operations Executive
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Screening Operations Executive: Lionsgate
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Screening Operations Executive
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Screening Operations Executive
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Screening Operations Executive
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Screening Operations Executive
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Studio Projectionist
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Screening Operations Executive
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Studio Projectionist
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Studio Projectionist
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Studio Projectionist
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Studio Projectionist
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Studio Projectionist
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Studio Projectionist
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
Studio Projectionist
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Studio Projectionist
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Studio Projectionist
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Studio Projectionist
Out to Sea (1997)
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Architect
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven