Sound Effects Editor
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Sound Effects Editor
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Sound Effects Editor
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Sound Effects Editor
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Sound Effects Editor
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Sound Effects Editor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Sound Effects Editor
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Sound Effects Editor
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Sound Effects Editor
Puss in Boots (2011)
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz
Sound Effects Editor
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sound Effects Editor
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Sound Effects Editor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Sound Effects Editor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Sound Effects Editor
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Chaos Theory (2008)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Sound Effects Editor
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Sound Editor
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Sound Effects Editor
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Sound Effects Editor
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Sound Effects Editor
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Sound Effects Editor
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Sound Effects Editor
ATL (2006)
Directed by: Chris Robinson
Cinematography by: Karsten Gopinath
Edited by: David Blackburn
Sound Effects Editor
Rescue Dawn (2006)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Sound Designer / Sound Effects Editor
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Editor
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Sound Effects Editor
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Sound Effects Designer / Sound Effects Editor
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Sound Effects Editor
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sound Effects Editor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Sound Effects Editor
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Sound Effects Editor
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Foley Editor
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Sound Effects Editor
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Sound Editor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Sound Effects Editor
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Sound Effects Editor
Velvet Goldmine (1998)
Directed by: Todd Haynes
Cinematography by: Maryse Alberti
Edited by: James Lyons
Cameras: Aaton Cameras, Panavision Panaflex Gold Camera
Sound Editor
Madeline (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Pierre Aïm
Edited by: Jeffrey Wolf
Sound Effects Editor
Afterglow (1997)
Directed by: Alan Rudolph
Cinematography by: Toyomichi Kurita
Edited by: Suzy Elmiger
Cameras: ARRIFLEX Camera
Assistant Sound Editor
Kama Sutra: A Tale of Love (1996)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Kristina Boden
Assistant Sound Editor
American Buffalo (1996)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Assistant Sound Editor
The People vs. Larry Flynt (1996)
Directed by: Milos Forman
Cinematography by: Philippe Rousselot
Edited by: Christopher Tellefsen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Apprentice Sound Editor
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Apprentice Sound Editor
What's Eating Gilbert Grape (1993)
Directed by: Lasse Hallström
Cinematography by: Sven Nykvist
Edited by: Andrew Mondshein
