Miquel Ubeda

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Ford v Ferrari | ShotOnWhat?

Lead Compositor: Method Studios

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Black Panther | ShotOnWhat?

Lead Compositor: Method Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Spider-Man: Homecoming | ShotOnWhat?

Compositor: Method Studios, Digital Compositor: Method Studios

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Jurassic World | ShotOnWhat?

Digital Compositor - ILM

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Avengers: Age of Ultron | ShotOnWhat?

Digital Compositor - ILM

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Digital Compositor: Weta Digital

The Hobbit: The Battle of the Five Armies (2014)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Digital Compositor: Weta Digital

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Hobbit: The Desolation of Smaug | ShotOnWhat?

Digital Compositor: Weta Digital

The Hobbit: The Desolation of Smaug (2013)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Wolverine | ShotOnWhat?

Digital Compositor: Weta Digital

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Man of Steel | ShotOnWhat?

Digital Effects Crew: Weta Digital

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Iron Man Three | ShotOnWhat?

Rise of the Planet of the Apes | ShotOnWhat?

Compositor: Weta Digital

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Digital Compositor: Weta Digital

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Compositing Lead: Mobius

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Chi bi Part II: Jue zhan tian xia | ShotOnWhat?

Lead Compositor: RedFX

Chi bi: Jue zhan tian xia (2009)

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Angie Lam, David Wu, Hongyu Yang

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Digital Compositor: MPC London

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Elizabeth: The Golden Age | ShotOnWhat?

Digital Compositor: MPC London

Elizabeth: The Golden Age (2007)

Directed by: Shekhar Kapur

Cinematography by: Remi Adefarasin

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cassandra's Dream | ShotOnWhat?

Digital Compositor: MPC London

Cassandra's Dream (2007)

Directed by: Woody Allen

Cinematography by: Vilmos Zsigmond

Edited by: Alisa Lepselter

The Golden Compass | ShotOnWhat?

Digital Compositor: Cinesite

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Da Vinci Code | ShotOnWhat?

Digtial Artist: MPC

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Harry Potter and the Goblet of Fire | ShotOnWhat?

Digtial Compositor: MPC London

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Corpse Bride | ShotOnWhat?

Compositing Team: MPC

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

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