David Shere

31 Titles

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Nyad | ShotOnWhat?

Compositing Supervisor : Scanline VFX

Nyad (2023)

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Claudio Miranda

Edited by: Christopher Tellefsen

Cameras: Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses: Fujinon Lenses, Zeiss Master Prime Lenses

Wonder Woman | ShotOnWhat?

Senior Compositor

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

In House Visual Effects Supervisor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

A Cure for Wellness | ShotOnWhat?

In House Visual Effects Supervisor

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Jungle Book | ShotOnWhat?

Compositing Supervisor

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hercules | ShotOnWhat?

Compositing Supervisor

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Vampire Academy | ShotOnWhat?

Compositing Supervisor

Vampire Academy (2014)

Directed by: Mark Waters

Cinematography by: Tony Pierce-Roberts

Edited by: Chris Gill

Cameras: ARRI ALEXA Camera

White House Down | ShotOnWhat?

Compositing Supervisor: Prime Focus Film

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

The Last Stand | ShotOnWhat?

Compositing And Sequence Supervisor: Prime Focus Film

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Dredd | ShotOnWhat?

Compositing Supervisor: Prime Focus Film

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Mirror Mirror | ShotOnWhat?

2D Supervisor: Prime Focus Film London

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Byzantium | ShotOnWhat?

Compositing And Sequence Supervisor: Prime Focus

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Compositing Supervisor: Prime Focus Film

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Your Highness | ShotOnWhat?

Lead Compositor: Framestore

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Clash of the Titans | ShotOnWhat?

Digital Compositor

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Compositor: Framestore

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Where the Wild Things Are | ShotOnWhat?

Lead Compositor: Framestore

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Lead Compositor: Framestore

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Australia | ShotOnWhat?

Lead Compositor: Framestore

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Lead Compositor: Framestore CFC

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Blood and Chocolate | ShotOnWhat?

Digital Compositor

Blood and Chocolate (2007)

Directed by: Katja von Garnier

Cinematography by: Brendan Galvin

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Love in the Time of Cholera | ShotOnWhat?

Digital Compositor

Love in the Time of Cholera (2007)

Directed by: Mike Newell

Cinematography by: Affonso Beato

Edited by: Mick Audsley

Underdog | ShotOnWhat?

Compositor

Underdog (2007)

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Goal II: Living the Dream | ShotOnWhat?

Digital Compositor

Goal II: Living the Dream (2007)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Niven Howie

X-Men: The Last Stand | ShotOnWhat?

2D Artist: Framestore CFC

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Kingdom of Heaven | ShotOnWhat?

Compositor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Lassie | ShotOnWhat?

Compositor: Framestore CFC

Lassie (2005)

Directed by: Charles Sturridge

Cinematography by: Howard Atherton

Edited by: Peter Coulson, Adam Green

Doom | ShotOnWhat?

Senior Digital Compositor: Framestore CFC

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Nanny McPhee | ShotOnWhat?

Compositor: Framestore CFC

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

Thunderbirds | ShotOnWhat?

Digital Compositor

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

Snow in August | ShotOnWhat?

2D Artist

Snow in August (2001)

Television Movie

Directed by: Richard Friedenberg

Cinematography by: Serge Ladouceur

Edited by: Tatiana S. Riegel

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