Foley Supervisor
Rustin (2023)
Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Foley Supervisor
Causeway (2022)
Directed by: Lila Neugebauer
Cinematography by: Diego García
Cameras: ARRI ALEXA LF Camera
Lenses: Panavision H Series Lenses
Foley Supervisor
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Foley Editor
Eighth Grade (2018)
Directed by: Bo Burnham
Cinematography by: Andrew Wehde
Edited by: Jennifer Lilly
Cameras: Red Helium 8K Camera
Foley Editor: Harbor Picture Company
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Foley Mixer
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Foley Supervisor
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Foley Mixer
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Foley Editor , Foley Supervisor
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Foley Recordist / Foley Mixer - 8 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Foley Mixer
Rosewater (2014)
Directed by: Jon Stewart
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Plus Camera
Foley Editor
Goodbye to All That (2014)
Directed by: Angus MacLachlan
Cinematography by: Corey Walter
Edited by: Jennifer Lilly
Cameras: ARRI ALEXA Series Cameras
Foley Mixer
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Foley Mixer
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Foley Recordist
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Foley Mixer
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Foley Recordist
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Foley Recordist
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Foley Recordist
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Foley Recordist
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Foley Recordist
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Foley Editor
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recordist / Foley Supervisor
'Treme' ... To Miss New Orleans (2013)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Recordist / Foley Supervisor
'Treme' Sunset on Louisianne (2013)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Matthew Booras
Foley Recordist / Foley Supervisor
'Treme' Dippermouth Blues (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Bill Pankow
Foley Recordist / Foley Supervisor
'Treme' Yes We Can Can (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Recordist / Foley Supervisor
'Treme' This City (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Supervisor
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Foley Supervisor
To Rome with Love (2012)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Foley Editor
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Foley Supervisor
'Treme' Tipitina (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Poor Man's Paradise (2012)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Supervisor
'Treme' Don't You Leave Me Here (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Promised Land (2012)
Directed by: Tim Robbins
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Careless Love (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Supervisor
'Treme' The Greatest Love (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Supervisor
'Treme' I Thought I Heard Buddy Bolden Say (2012)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Me Donkey Want Water (2012)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Saints (2012)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Knock with Me - Rock with Me (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Editor
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Foley Editor
Midnight in Paris (2011)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Foley Supervisor
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Do Watcha Wanna (2011)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' That's What Lovers Do (2011)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Can I Change My Mind? (2011)
Directed by: Ernest R. Dickerson
Edited by: Alex Hall
Foley Supervisor
'Treme' What is New Orleans? (2011)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Foley Supervisor
'Treme' Carnival Time (2011)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Feels Like Rain (2011)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Foley Supervisor
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Santa Claus, Do You Ever Get the Blues? (2011)
Directed by: Alex Zakrzewski
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' On Your Way Down (2011)
Directed by: Simon Cellan Jones
Edited by: Alex Hall
Foley Supervisor
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Foley Supervisor
You Will Meet a Tall Dark Stranger (2010)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Foley Supervisor
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Foley Supervisor / Foley Recordist - 38 Episodes, 2010-2013
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Foley Supervisor
'Treme' I'll Fly Away (2010)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Wish Someone Would Care (2010)
Directed by: Daniel Attias
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' All on a Mardi Gras Day (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Smoke My Peace Pipe (2010)
Directed by: Simon Cellan Jones
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Shallow Water, Oh Mama (2010)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Foley Supervisor
'Treme' Shame, Shame, Shame (2010)
Directed by: Christine Moore
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' At the Foot of Canal Street (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Foley Supervisor
'Treme' Right Place, Wrong Time (2010)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Foley Supervisor
'Treme' Meet De Boys on the Battlefront (2010)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Foley Supervisor
'Treme' Treme: Beyond Bourbon Street (2010)
Foley Editor
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Foley Editor
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Sound Effects Editor
Veronika Decides to Die (2009)
Directed by: Emily Young
Cinematography by: Seamus Tierney
Edited by: Úna Ní Dhonghaíle
Foley Supervisor
The Cove (2009)
Directed by: Louie Psihoyos
Cinematography by: Brook Aitken
Edited by: Geoffrey Richman
Cameras: Sony Other Camera, Sony PDW-F350 Camera
Foley Editor
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Foley Editor
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Foley Supervisor
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Foley Editor
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Foley Supervisor
The Loss of a Teardrop Diamond (2008)
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Assistant Sound Editor
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Foley Editor
Diminished Capacity (2008)
Directed by: Terry Kinney
Cinematography by: Vanja Cernjul
Edited by: Tim Streeto
Foley Editor
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Foley Supervisor
'The Wire' More with Less (2008)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Unconfirmed Reports (2008)
Directed by: Ernest R. Dickerson
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Foley Supervisor
'The Wire' Not for Attribution (2008)
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Transitions (2008)
Directed by: Daniel Attias
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Foley Supervisor
'The Wire' React Quotes (2008)
Directed by: Agnieszka Holland
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Foley Supervisor
'The Wire' The Dickensian Aspect (2008)
Directed by: Seith Mann
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Foley Supervisor
'The Wire' Took (2008)
Directed by: Dominic West
Cinematography by: Dave Insley
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Clarifications (2008)
Directed by: Anthony Hemingway
Cinematography by: Dave Insley
Edited by: John Chimples
Foley Supervisor
'The Wire' Late Editions (2008)
Directed by: Joe Chappelle
Cinematography by: Dave Insley
Edited by: Alex Hall
Foley Supervisor
'The Wire' -30- (2008)
Directed by: Clark Johnson
Cinematography by: Dave Insley
Edited by: Kate Sanford
Foley Supervisor
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Foley Editor
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Foley Editor
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Supervising Foley Editor
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Foley Supervisor
'The Wire' Boys of Summer (2006)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Supervising Foley Editor
'The Wire' Soft Eyes (2006)
Directed by: Christine Moore
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Supervising Foley Editor
'The Wire' Home Rooms (2006)
Directed by: Seith Mann
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Supervising Foley Editor
'The Wire' Refugees (2006)
Directed by: Jim McKay
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Supervising Foley Editor
'The Wire' Alliances (2006)
Directed by: David Platt
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Supervising Foley Editor
'The Wire' Margin of Error (2006)
Directed by: Daniel Attias
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Supervising Foley Editor
'The Wire' Unto Others (2006)
Directed by: Anthony Hemingway
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Supervising Foley Editor
'The Wire' Corner Boys (2006)
Directed by: Agnieszka Holland
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Supervising Foley Editor
'The Wire' Know Your Place (2006)
Directed by: Alex Zakrzewski
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Supervising Foley Editor
'The Wire' Misgivings (2006)
Directed by: Ernest R. Dickerson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Supervising Foley Editor
'The Wire' A New Day (2006)
Directed by: Brad Anderson
Cinematography by: Dave Insley
Edited by: Alex Hall
Supervising Foley Editor
'The Wire' That's Got His Own (2006)
Directed by: Joe Chappelle
Edited by: Meg Reticker
Supervising Foley Editor
'The Wire' Final Grades (2006)
Directed by: Ernest R. Dickerson
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Foley Supervisor
Loverboy (2005)
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Sound Effects Editor
Murderball (2005)
Cinematography by: Henry Alex Rubin
Cameras: Panasonic AG-DVX100 Camera
Supervising Foley Editor
The Woodsman (2004)
Directed by: Nicole Kassell
Cinematography by: Xavier Grobet
Foley Supervisor
'The Wire' Time After Time (2004)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Supervisor
'The Wire' All Due Respect (2004)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Dead Soldiers (2004)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Michael Berenbaum
Foley Supervisor
'The Wire' Hamsterdam (2004)
Directed by: Ernest R. Dickerson
Edited by: Deborah Moran
Foley Supervisor
'The Wire' Straight and True (2004)
Directed by: Daniel Attias
Cinematography by: Dave Insley
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Homecoming (2004)
Directed by: Leslie Libman
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Back Burners (2004)
Directed by: Timothy Van Patten
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Foley Supervisor
'The Wire' Moral Midgetry (2004)
Directed by: Agnieszka Holland
Cinematography by: Eagle Egilsson
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Slapstick (2004)
Directed by: Alex Zakrzewski
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Reformation (2004)
Directed by: Christine Moore
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Foley Supervisor
'The Wire' Middle Ground (2004)
Directed by: Joe Chappelle
Cinematography by: Eagle Egilsson
Edited by: Deborah Moran
Foley Supervisor
'The Wire' Mission Accomplished (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Ebb Tide (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Collateral Damage (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Hot Shots (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Hard Cases (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Undertow (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Foley Supervisor
'The Wire' All Prologue (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Foley Supervisor
'The Wire' Backwash (2003)
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Duck and Cover (2003)
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Stray Rounds (2003)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Supervisor
'The Wire' Storm Warnings (2003)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Supervisor
'The Wire' Bad Dreams (2003)
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Supervisor
'The Wire' Port in a Storm (2003)
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Foley Predub
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Foley Supervisor / Supervising Foley Editor - 47 Episodes, 2003-2008
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Foley Engineer
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Foley Engineer
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Engineer
The Best Man (1999)
Directed by: Malcolm D. Lee
Cinematography by: Frank Prinzi
Edited by: Cara Silverman
Foley Mixer
Limbo (1999)
Directed by: John Sayles
Cinematography by: Haskell Wexler
Edited by: John Sayles
Foley Mixer
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
