Brooks P. Guyer

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Ambulance | ShotOnWhat?

Camera Operator: "a" Camera

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Additional Director Of Photography

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Camera Operator

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Mad Max: Fury Road | ShotOnWhat?

Additional Director Of Photography

Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Dp: Second Unit

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Edge Director Of Photography

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Total Recall | ShotOnWhat?

Camera Operator

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Pursuit Camera Operator

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Bounty Hunter | ShotOnWhat?

Director Of Photography: Second Unit

The Bounty Hunter (2010)

Directed by: Andy Tennant

Cinematography by: Oliver Bokelberg

Edited by: Troy Takaki

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Unstoppable | ShotOnWhat?

Director Of Photography: Pursuit Arm

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Jonah Hex | ShotOnWhat?

Camera Operator: Pursuit Arm, Second Unit

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Camera Operator

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Camera Operator

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Transformers: Revenge of the Fallen | ShotOnWhat?

Camera Operator

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Assistant Camera

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Surrogates | ShotOnWhat?

Camera Operator

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Gamer | ShotOnWhat?

Camera Operator

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Seven Pounds | ShotOnWhat?

Camera Operator

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Wanted | ShotOnWhat?

Aerial Director Of Photography / Director Of Photography: Second Unit

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Leatherheads | ShotOnWhat?

Camera Operator

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Meet Dave | ShotOnWhat?

Camera Operator

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

I Am Legend | ShotOnWhat?

Camera Operator

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

The Bucket List | ShotOnWhat?

Camera Operator: Second Unit / Director Of Photography: Second Unit

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Transformers | ShotOnWhat?

Mission: Impossible III | ShotOnWhat?

Camera Operator

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Deja Vu | ShotOnWhat?

Camera Operator / Ultimate Arm Camera Operator

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

War of the Worlds | ShotOnWhat?

Camera Operator

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dreamer: Inspired by a True Story | ShotOnWhat?

Additional Dp

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Island | ShotOnWhat?

Camera Operator

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Italian Job | ShotOnWhat?

Camera Operator

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Joy Ride | ShotOnWhat?

Louma Crane Operator

Joy Ride (2001)

Directed by: John Dahl

Cinematography by: Jeffrey Jur

Edited by: Eric L. Beason, Scott Chestnut, Todd E. Miller, Glen Scantlebury

How High | ShotOnWhat?

Louma Crane Operator

How High (2001)

Directed by: Jesse Dylan

Cinematography by: Francis Kenny

Edited by: Larry Bock

Girl 6 | ShotOnWhat?

Louma Crane Operator / Louma Crane Technician: Los Angeles

Girl 6 (1996)

Directed by: Spike Lee

Cinematography by: Malik Hassan Sayeed

Edited by: Samuel D. Pollard

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Louma Crane Operator

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blown Away | ShotOnWhat?

Louma Crane Operator

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

The Crow | ShotOnWhat?

Louma Crane Operator

The Crow (1994)

Directed by: Alex Proyas

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, M. Scott Smith

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Lenses

Attack of the 50 Ft. Woman | ShotOnWhat?

Louma Crane Operator

Attack of the 50 Ft. Woman (1993)

Television Movie

Directed by: Christopher Guest

Cinematography by: Russell Carpenter

Edited by: Harry Keramidas

Coneheads | ShotOnWhat?

Louma Crane Operator

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Wayne's World 2 | ShotOnWhat?

Louma Crane Operator

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

The Bodyguard | ShotOnWhat?

Louma Crane Operator

The Bodyguard (1992)

Directed by: Mick Jackson

Cinematography by: Andrew Dunn

Edited by: Donn Cambern, Richard A. Harris

Ricochet | ShotOnWhat?

Louma Crane Operator

Ricochet (1991)

Directed by: Russell Mulcahy

Cinematography by: Peter Levy

Edited by: Peter Honess

Shattered | ShotOnWhat?

Louma Crane Operator

Shattered (1991)

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Edward Scissorhands | ShotOnWhat?

Crane Operator: Louma Crane

Edward Scissorhands (1990)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Colleen Halsey, Richard Halsey

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Almost an Angel | ShotOnWhat?

Louma Crane Operator

Almost an Angel (1990)

Directed by: John Cornell

Cinematography by: Russell Boyd

Edited by: David Stiven

Predator 2 | ShotOnWhat?

Louma Crane Operator

Predator 2 (1990)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Mark Goldblatt, Bert Lovitt

Pet Sematary | ShotOnWhat?

Louma Crane Operator

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

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