Second Assistant Camera: "a" Camera
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Additional Second Assistant Camera: First Assistant Camera
'House of Cards' Chapter 49 (2016)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Second Assistant Camera: "a" Camera
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Second Assistant Camera: Second Unit
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Additional Second Assistant Camera: First Assistant Camera
'House of Cards' Chapter 24 (2014)
Directed by: John David Coles
Cinematography by: Igor Martinovic
Additional Second Assistant Camera: First Assistant Camera
'House of Cards' Chapter 13 (2013)
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Second Assistant Camera: "a" Camera
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Additional Second Assistant Camera: First Assistant Camera - 3 Episodes, 2013-2016
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Second Assistant Camera: "b" Camera
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Second Assistant Camera
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Additional Visual Effects
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Second Assistant:
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Second Assistant Camera: "a" Camera
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Second Assistant Camera
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Camera: Aerial Unit
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Additional Second Assistant Camera
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Key Second Assistant Camera: "a" Camera - USA
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
First Assistant Camera: "b" Camera
Crazy Eights (2006)
Directed by: Jimi Jones
Cinematography by: Stephen M. Lyons
Additional Second Assistant Camera
'The Wire' Soft Eyes (2006)
Directed by: Christine Moore
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Second Assistant Camera: "b" Camera
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera: Philadelphia
It's Always Sunny in Philadelphia (2005)
Directed by: Matt Shakman, Fred Savage, Daniel Attias, Randall Einhorn, Todd Biermann, Richie Keen, Heath Cullens, Jerry Levine, Kat Coiro, John Fortenberry, Jamie Babbit, Rob McElhenney, Maurice Marable, Josh Drisko, LP, Glenn Howerton
Cameras: Panasonic AG-DVX100 Camera
Second Assistant Camera
Shadowboxer (2005)
Directed by: Lee Daniels
Cinematography by: M. David Mullen
Second Assistant Camera
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Second Assistant Camera
The Woodsman (2004)
Directed by: Nicole Kassell
Cinematography by: Xavier Grobet
Second Assistant Camera: "b" Camera
Shortcut to Happiness (2003)
Directed by: Alec Baldwin
Cinematography by: Adam Holender
Additional Second Assistant Camera
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Additional Camera Operator: Second Unit
Emmett's Mark (2002)
Directed by: Keith Snyder
Cinematography by: Lawrence Sher
Edited by: Caroline Ross
Cameras: Aaton 35 I Camera, ARRIFLEX 535 B Camera
Additional Second Assistant Camera - 1 Episode, 2006
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Second Assistant Camera
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Additional Second Assistant Camera
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Additional Second Assistant Camera
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Second Assistant Camera
Girl, Interrupted (1999)
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
First Assistant Camera: Washington D.C.
Dick (1999)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Mia Goldman
Second Assistant Camera
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Additional Second Assistant Camera
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera
Wide Awake (1998)
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Second Assistant Camera: Atlantic City
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Second Assistant Camera
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Second Assistant Camera: New York
Miracle on 34th Street (1994)
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Second Assistant Camera
Christmas on Division Street (1991)
Directed by: George Kaczender
Cinematography by: Laszlo George
Edited by: Paul Dixon