Stephane Naze

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Visual Effects Supervisor: Framestore

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Darkest Hour | ShotOnWhat?

Visual Effects Supervisor: Framestore

Darkest Hour (2017)

Directed by: Joe Wright

Cinematography by: Bruno Delbonnel

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Visual Effects Supervisor: Framestore

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pan | ShotOnWhat?

Visual Effects Supervisor: Framestore

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Guardians of the Galaxy | ShotOnWhat?

Visual Effects Supervisor: Method Studios

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Snowpiercer | ShotOnWhat?

Sequence Lead: Method Studios London

Snowpiercer (2013)

Directed by: Joon-ho Bong

Cinematography by: Kyung-pyo Hong

Edited by: Steve M. Choe, Changju Kim

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Grandmaster | ShotOnWhat?

Senior Graphic Artist: BUF

The Grandmaster (2013)

Directed by: Kar-Wai Wong

Cinematography by: Philippe Le Sourd

Edited by: William Chang, Hung Poon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Visual Effects Supervisor

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Cloud Atlas | ShotOnWhat?

Visual Effects Supervisor: Method London

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Cg Senior Artist: BUF

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Darkest Hour | ShotOnWhat?

Visual Effects Supervisor: BUF

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Visual Effects Supervisor: BUF

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Speed Racer | ShotOnWhat?

Cg Supervisor: BUF

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Visual Effects Supervisor: BUF

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Silent Hill | ShotOnWhat?

Sequence Supervisor: BUF

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Angel-A | ShotOnWhat?

Visual Effects Supervisor: BUF

Angel-A (2005)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Visual Effects: BUF

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Finding Neverland | ShotOnWhat?

Sequence Supervisor: BUF

Finding Neverland (2004)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

Alexander | ShotOnWhat?

Gaugamela Aerial Shots Supervisor: BUF

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

S1m0ne | ShotOnWhat?

Digital Artist: BUF Compagnie

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

The Cell | ShotOnWhat?

Lead Animator: BUF

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Fight Club | ShotOnWhat?

Cg Supervisor: BUF Inc.

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Batman & Robin | ShotOnWhat?

Animator: BUF

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

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