Producer, Producer - P.g.a.
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Associate Producer, Script Supervisor
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Script Supervisor: Second Unit
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Script Supervisor: San Francisco
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Script Supervisor
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Script Supervisor
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Associate Producer, Script Supervisor
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Script Supervisor
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor
Somewhere (2010)
Directed by: Sofia Coppola
Cinematography by: Harris Savides
Edited by: Sarah Flack
Script Supervisor
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Script Supervisor
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Script Supervisor
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Script Supervisor
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Script Supervisor
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Script Supervisor
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Script Supervisor
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Script Supervisor
Lackawanna Blues (2005)
Directed by: George C. Wolfe
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Script Supervisor
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Script Supervisor
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Script Supervisor
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Script Supervisor
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Script Supervisor
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Script Supervisor
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Script Supervisor
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Script Supervisor
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Script Supervisor
'Angel' Rm w/a Vu (1999)
Directed by: Scott McGinnis
Cinematography by: Herbert Davis
Edited by: Michael Stern
Script Supervisor
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor - 1 Episode, 1999
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Script Supervisor
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Script Supervisor
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Script Supervisor
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
Script Supervisor
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Script Supervisor
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Script Supervisor
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Script Supervisor
Carried Away (1996)
Directed by: Bruno Barreto
Cinematography by: Declan Quinn
Edited by: Bruce Cannon
Script Supervisor
Four Rooms (1995)
Script Supervisor
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Script Supervisor: New Mexico
Sleep with Me (1994)
Directed by: Rory Kelly
Cinematography by: Andrzej Sekula
Edited by: David Moritz
Script Supervisor
Relentless IV: Ashes to Ashes (1994)
Directed by: Oley Sassone
Cinematography by: Russ Brandt
Edited by: Glenn Garland
Script Supervisor
3 Ninjas Kick Back (1994)
Directed by: Charles T. Kanganis
Cinematography by: Christopher Faloona
Cameras: ARRI Cameras
Script Supervisor
The Desperate Trail (1994)
Directed by: P.J. Pesce
Cinematography by: Michael Bonvillain
Edited by: Bill Johnson
Property Master
Warlock: The Armageddon (1993)
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
Cameras: ARRIFLEX 35mm Cameras
Assistant Prop Master, Script Supervisor: Second Unit
Return of the Living Dead III (1993)
Directed by: Brian Yuzna
Cinematography by: Gerry Lively
Edited by: Christopher Roth
