Vice President Feature Post: Modern VideoFilm
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Vice President: Feature Post, Modern VideoFilm
American Son (2008)
Directed by: Neil Abramson
Cinematography by: Kris Kachikis
Edited by: Karen Schmeer
Vice President Feature Post-production: Modern VideoFilm
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Vice President Feature Post
Adrift in Manhattan (2007)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: John Foster
Edited by: John Coniglio
Vice President: Post-production, Modern VideoFilm
The Air I Breathe (2007)
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Vice President Feature Post-production: Modern VideoFilm Inc.
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Vice President Of Feature Post: Modern Video Film
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Vice President Of Post-production: Modern VideoFilm Inc.
Alpha Dog (2006)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Vice President Of Feature Post: Modern Videofilm, Inc.
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Vice President Of Feature Post: Modern VideoFilm
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Imaging: Cinesite
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Digital Film Scanning And Recording
Aizea: City of the Wind (2001)
Directed by: Ione Hernández
Cinematography by: Daniel Aranyó
Edited by: Andrea Zondler
Cameras: ARRIFLEX 16SR2 Camera
Vice President Digital Imaging: Cinesite
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Digital Imaging Manager: POP Film & Animation
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Imaging Manager: POP Film
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Imaging Manager: POP Film
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Visual Effects Digital Imaging Supervisor
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Digital Imaging Manager: Cinesite
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Imaging Supervisor: Cinesite
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Digital Compositor: Cinesite
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Optical Camera: Boss Film Studios
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Optical Camera Operator
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Optical Department
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Optical Camera Operator: ILM
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Optical Camera Operator
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Head Lab Technician: Boss Film Corporation
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Optical Camera Operator: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Optical Camera Operator
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Visual Effects Head Lab Technician
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Laboratory Technician
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Lab Technician: Entertainment Effects Group
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
