Visual Effects Data Wrangler
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Data Wrangler
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
On-set Data Wrangler
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Visual Effects Supervisor
I Heart Shakey (2012)
Directed by: Kevin Cooper
Cinematography by: Steven Parker
Edited by: Leonard Wilkes
Data Wrangler
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Data Wrangler
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Digital Artist
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
On-set Visual Effects Supervisor
'Lost' The Hunting Party (2006)
Directed by: Stephen Williams
Cinematography by: Michael Bonvillain
Edited by: Sarah Boyd
On-set Visual Effects Supervisor
'Lost' The 23rd Psalm (2006)
Directed by: Matt Earl Beesley
Cinematography by: John S. Bartley
Edited by: Mark Goldman
On-set Visual Effects Supervisor
'Lost' Fire + Water (2006)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Stephen Semel
CG Artist
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
On-set Visual Effects Supervisor
'Lost' Orientation (2005)
Directed by: Jack Bender
Cinematography by: Michael Bonvillain
Edited by: Stephen Semel
On-set Visual Effects Supervisor
'Lost' Everybody Hates Hugo (2005)
Directed by: Alan Taylor
Cinematography by: John S. Bartley
Edited by: Mark Goldman
On-set Visual Effects Supervisor
'Lost' ...And Found (2005)
Directed by: Stephen Williams
Cinematography by: Michael Bonvillain
Edited by: Sarah Boyd
On-set Visual Effects Supervisor
'Lost' The Other 48 Days (2005)
Directed by: Eric Laneuville
Cinematography by: Michael Bonvillain
Edited by: Mark Goldman
On-set Visual Effects Supervisor
'Lost' Abandoned (2005)
Directed by: Adam Davidson
Cinematography by: John S. Bartley
Edited by: Stephen Semel
On-set Visual Effects Supervisor
'Lost' What Kate Did (2005)
Directed by: Paul A. Edwards
Cinematography by: Michael Bonvillain
Edited by: Stephen Semel
On-set Visual Effects Supervisor
'Lost' Collision (2005)
Directed by: Stephen Williams
Cinematography by: John S. Bartley
Edited by: Sarah Boyd
On-set Visual Effects Supervisor
'Lost' Adrift (2005)
Cinematography by: John S. Bartley
Edited by: Sarah Boyd
On-set Visual Effects Supervisor
'Lost' Man of Science, Man of Faith (2005)
Directed by: Jack Bender
Cinematography by: Michael Bonvillain
Edited by: Mark Goldman
Digital Effects Artist
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
On-set Visual Effects Supervisor - 12 Episodes, 2005-2006
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Artist
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Artist
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Digital Artist
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Practical Model Builder
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Effects Artist
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Digital Artist
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Motion Tracker: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Runner
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Runner
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera