Gaffer
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Gaffer: Iceland
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Gaffer
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Gaffer
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Key Gaffer: Additional Photography
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Key Gaffer
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Additional Photography / Gaffer
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Gaffer
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Gaffer
Nights in Rodanthe (2008)
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
Chief Lighting Technician
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Gaffer
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Gaffer
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Additional Photography / Gaffer
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Gaffer
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Gaffer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Key Chief Lighting Technician
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Gaffer
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Chief Lighting Technician
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Gaffer
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Chief Lighting Technician
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Chief Lighting Technician
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Gaffer
Ghosts of Mississippi (1996)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Gaffer
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Gaffer
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Gaffer: New York
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Gaffer: Florida
Dead Presidents (1995)
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Chief Lighting Technician
Canadian Bacon (1995)
Directed by: Michael Moore
Cinematography by: Haskell Wexler
Chief Lighting Technician
The Saint of Fort Washington (1993)
Directed by: Tim Hunter
Cinematography by: Frederick Elmes
Edited by: Howard E. Smith
Chief Lighting Technician
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Gaffer: New York
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Gaffer
Fried Green Tomatoes (1991)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Gaffer
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Gaffer
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Gaffer
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Gaffer
Last Exit to Brooklyn (1989)
Directed by: Uli Edel
Cinematography by: Stefan Czapsky
Edited by: Peter Przygodda
Gaffer
D.O.A. (1988)
Cinematography by: Yuri Neyman
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Best Boy Electric
At Close Range (1986)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Gaffer
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
Best Boy
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Electrician
Q (1982)
Directed by: Larry Cohen
Cinematography by: Fred Murphy
Edited by: Armond Lebowitz
