First Assistant Camera: "b" Camera
'Euphoria' Stuntin' Like My Daddy (2019)
Directed by: Sam Levinson
Edited by: Julio C. Perez IV
First Assistant Camera: "b" Camera
'Euphoria' Made You Look (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
First Assistant Camera: "b" Camera
'Euphoria' Shook Ones Pt II (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
First Assistant Camera: "b" Camera
'Euphoria' '03 Bonnie and Clyde (2019)
Directed by: Jennifer Morrison
Cinematography by: Drew Daniels
Edited by: Harry Yoon
First Assistant Camera: "b" Camera
'Euphoria' The Next Episode (2019)
Directed by: Pippa Bianco
Cinematography by: Drew Daniels
Edited by: Laura Zempel
First Assistant Camera: "b" Camera
'Euphoria' The Trials and Tribulations of Trying to Pee While Depressed (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Harry Yoon
First Assistant Camera: "b" Camera
'Euphoria' And Salt the Earth Behind You (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Julio C. Perez IV
First Assistant Camera: "b" Camera - 7 Episodes, 2019
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Additional First Assistant Camera
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Second Assistant Camera: "a" Camera
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Second Assistant Cameraman: "a" Camera
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Second Assistant Camera
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Second Assistant Camera "a" Camera: Second Unit
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Second Assistant Camera: "a" Camera
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Camera
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
A Camera Second Assistant: Additional Photography / Additional Second Assistant Camera
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Second Assistant Camera "a" Camera
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Second Assistant Camera "a" Camera
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Second Assistant Camera: "a" Camera
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Second Assistant Camera: Second Unit
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Second Assistant Camera: "b" Camera
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Second Assistant Camera "b" Camera
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Second Assistant Camera "a" Camera
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Second Assistant Camera: "b" Camera
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
Second Assistant Camera: "c" Camera
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Second Assistant Camera "a" Camera
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Second Assistant Camera: Additional Photography
Over Her Dead Body (2008)
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Additional Second Assistant Camera
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Second Assistant Camera "b" Camera
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Film Loader
'Breaking Bad' Pilot (2008)
Directed by: Vince Gilligan
Cinematography by: John Toll
Edited by: Lynne Willingham
Film Loader - 1 Episode, 2008
Breaking Bad (2008)
Directed by: Michelle MacLaren, Adam Bernstein, Vince Gilligan, Colin Bucksey, Michael Slovis, Bryan Cranston, Terry McDonough, Johan Renck, Rian Johnson, Scott Winant, Peter Gould, Tricia Brock, Bronwen Hughes, Tim Hunter, Jim McKay, Phil Abraham, John Dahl, Félix Enríquez Alcalá, Charles Haid, Peter Medak, John Shiban, David Slade, George Mastras, Thomas Schnauz, Sam Catlin
Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams
Film Loader: Los Angeles
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Second Assistant Camera: "b" Camera
Towelhead (2007)
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir
Second Assistant Camera: "b" Camera
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Film Loader: Los Angeles
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Additional Second Assistant Camera
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Film Loader
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Film Loader
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Film Loader: Second Unit
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Film Loader
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Film Loader
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Camera Production Assistant, Staff Assistant
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
