Gail Carroll-Coe

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Mid90s | ShotOnWhat?

Boom Operator

Mid90s (2018)

Directed by: Jonah Hill

Cinematography by: Christopher Blauvelt

Edited by: Nick Houy

Cameras: ARRIFLEX 416 Camera

"Better Things" Period | ShotOnWhat?

Boom Operator

'Better Things' Period (2016)

Television Episode

Directed by: Pamela Adlon

Cinematography by: Paul Koestner

Edited by: Gina Sansom

"Better Things" Brown | ShotOnWhat?

Boom Operator

'Better Things' Brown (2016)

Television Episode

Directed by: Nisha Ganatra

Cinematography by: Nancy Schreiber

Edited by: Gina Sansom

"Better Things" Woman Is the Something of the Something | ShotOnWhat?

Boom Operator

'Better Things' Woman Is the Something of the Something (2016)

Television Episode

Directed by: Nisha Ganatra

Cinematography by: Paul Koestner, Nancy Schreiber

Edited by: Gina Sansom

"Better Things" Future Fever | ShotOnWhat?

Boom Operator

'Better Things' Future Fever (2016)

Television Episode

Directed by: Lance Bangs

Cinematography by: Paul Koestner

Edited by: Gina Sansom

"Better Things" Duke's Chorus | ShotOnWhat?

Boom Operator

'Better Things' Duke's Chorus (2016)

Television Episode

Directed by: Lance Bangs

Cinematography by: Paul Koestner

Edited by: Gina Sansom

"Better Things" Alarms | ShotOnWhat?

Boom Operator

'Better Things' Alarms (2016)

Television Episode

Directed by: Lance Bangs

Cinematography by: Paul Koestner

Edited by: Gina Sansom

"Better Things" Scary Fun | ShotOnWhat?

Boom Operator

'Better Things' Scary Fun (2016)

Television Episode

Directed by: Nisha Ganatra

Cinematography by: Paul Koestner

Edited by: Gina Sansom

Batman v Superman: Dawn of Justice | ShotOnWhat?

Second Boom Operator / Sound Utility

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

American Sniper | ShotOnWhat?

Boom Operator

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Atlas Shrugged: Who Is John Galt? | ShotOnWhat?

Boom Operator

Atlas Shrugged: Who Is John Galt? (2014)

Directed by: James Manera

Cinematography by: Gale Tattersall

Edited by: Tony Ciccone, Mike Hugo

Cameras: Canon EOS-C500 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Lost River | ShotOnWhat?

Boom Operator

Lost River (2014)

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Into the Storm | ShotOnWhat?

Sound

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Oz the Great and Powerful | ShotOnWhat?

Boom Operator

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Trouble with the Curve | ShotOnWhat?

Boom Operator

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

X: First Class | ShotOnWhat?

Boom Operator

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

J. Edgar | ShotOnWhat?

Boom Operator

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Scream 4 | ShotOnWhat?

Second Boom Operator / Sound Utility

Scream 4 (2011)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Peter McNulty

Cameras: Panavision Cameras

Kill the Irishman | ShotOnWhat?

Boom Operator

Kill the Irishman (2011)

Directed by: Jonathan Hensleigh

Cinematography by: Karl Walter Lindenlaub

Edited by: Douglas Crise

Flipped | ShotOnWhat?

Second Boom Operator / Sound Utility

Flipped (2010)

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Classic Spherical Lenses

Hereafter | ShotOnWhat?

Boom Operator

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Invictus | ShotOnWhat?

Boom Operator

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sons of Anarchy | ShotOnWhat?

Second Boom Operator - 1 Episode, 2008

Sons of Anarchy (2008)

Television Series

Cinematography by: Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei

Edited by: Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Sony PMW-F3 Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Gran Torino | ShotOnWhat?

Utility Sound/second Boom Operator

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Untraceable | ShotOnWhat?

Boom Operator

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

"Sons of Anarchy" Pilot | ShotOnWhat?

Second Boom Operator

'Sons of Anarchy' Pilot (2008)

Television Episode

Directed by: Allen Coulter, Michael Dinner

Cinematography by: Jonathan Freeman, Edward J. Pei

Edited by: Hunter M. Via, Sidney Wolinsky

Changeling | ShotOnWhat?

Cable Person

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Feast of Love | ShotOnWhat?

Boom Operator

Feast of Love (2007)

Directed by: Robert Benton

Cinematography by: Kramer Morgenthau

Edited by: Andrew Mondshein

Rails & Ties | ShotOnWhat?

Sound Utility

Rails & Ties (2007)

Directed by: Alison Eastwood

Cinematography by: Tom Stern

Edited by: Gary Roach

Crossover | ShotOnWhat?

Boom Operator

Crossover (2006)

Directed by: Preston A. Whitmore II

Cinematography by: Christian Sebaldt

Edited by: Stuart Acher, Anthony Adler

Deja Vu | ShotOnWhat?

Sound Utility

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Domino | ShotOnWhat?

Sound Utility

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Serenity | ShotOnWhat?

Boom Operator

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Cellular | ShotOnWhat?

Cableperson

Cellular (2004)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Something's Gotta Give | ShotOnWhat?

Utility Sound Technician

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

The Italian Job | ShotOnWhat?

Second Boom Operator / Utility Sound

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

8 Mile | ShotOnWhat?

Utility Sound Technician

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Domestic Disturbance | ShotOnWhat?

Sound Utility

Domestic Disturbance (2001)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

61* | ShotOnWhat?

Cable Person: Detroit

61* (2001)

Television Movie

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Sordid Lives | ShotOnWhat?

Boom Operator

Sordid Lives (2000)

Directed by: Del Shores

Cinematography by: Max CiVon

Edited by: Ed Marx

In Dreams | ShotOnWhat?

Sound Utility Technician

In Dreams (1999)

Directed by: Neil Jordan

Cinematography by: Darius Khondji

Edited by: Tony Lawson

Out of Sight | ShotOnWhat?

Sound Utility: Michigan

Out of Sight (1998)

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

Far and Away | ShotOnWhat?

Location Sound Effects

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Presumed Innocent | ShotOnWhat?

Sound Recordist: Detroit

Presumed Innocent (1990)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Evan A. Lottman

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