Douglas Parker

45 Titles

Is this you? Add a Profile

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Re-recording Mix Technician: The Walt Disney Company

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Mix Technician: The Walt Disney Company

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Nomadland | ShotOnWhat?

Mix Tech

Nomadland (2020)

Directed by: Chloé Zhao

Cinematography by: Joshua James Richards

Cameras: ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses: Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Avengers: Endgame | ShotOnWhat?

Re-Recording Mix Technician: The Walt Disney Studios

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Ralph Breaks the Internet | ShotOnWhat?

Re-recording Mix Technician

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Black Panther | ShotOnWhat?

Re-Recording Mix Technician: Walt Disney Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Avengers: Infinity War | ShotOnWhat?

Re-recording Mix Technician: Walt Disney Studios

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Thor: Ragnarok | ShotOnWhat?

Re-recording Mix Technician: The Walt Disney Studios

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Bright | ShotOnWhat?

Re-recording Mix Technician: Disney Digital Studio Services, NBCUniversal

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

The Single Moms Club | ShotOnWhat?

Sound Mix Technician

The Single Moms Club (2014)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Mixing Recordist

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Madea's Witness Protection | ShotOnWhat?

Mixing Recordist

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Rise of the Guardians | ShotOnWhat?

Sound Mix Technician

Rise of the Guardians (2012)

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Assistant Sound Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Assistant Sound Editor

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Assistant Sound Editor

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

G-Force | ShotOnWhat?

Assistant Sound Editor

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Confessions of a Shopaholic | ShotOnWhat?

Assistant Sound Editor

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

National Treasure: Book of Secrets | ShotOnWhat?

Assistant Sound Editor

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Assistant Sound Editor

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Assistant Sound Editor

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Deja Vu | ShotOnWhat?

Assistant Sound Editor

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Glory Road | ShotOnWhat?

Assistant Sound Editor

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Domino | ShotOnWhat?

Assistant Sound Editor

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Assistant Sound Editor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Man on Fire | ShotOnWhat?

Assistant Sound Editor

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

National Treasure | ShotOnWhat?

Assistant Sound Editor , Assistant Sound Effects Editor

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Bad Boys II | ShotOnWhat?

Assistant Sound Effects Editor

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Dickie Roberts: Former Child Star | ShotOnWhat?

Assistant Sound Editor

Dickie Roberts: Former Child Star (2003)

Directed by: Sam Weisman

Cinematography by: Thomas E. Ackerman

Edited by: Roger Bondelli

Spirit: Stallion of the Cimarron | ShotOnWhat?

Assistant Sound Editor

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Rush Hour 2 | ShotOnWhat?

Assistant Sound Editor

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

See Spot Run | ShotOnWhat?

Sound Effects Editor

See Spot Run (2001)

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Crocodile Dundee in Los Angeles | ShotOnWhat?

Assistant Sound Editor: Los Angeles

Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

Where the Heart Is | ShotOnWhat?

Assistant Sound Editor

Where the Heart Is (2000)

Directed by: Matt Williams

Cinematography by: Richard Greatrex

Edited by: Ian Crafford

Nutty Professor II: The Klumps | ShotOnWhat?

Sound Effects Editor

Nutty Professor II: The Klumps (2000)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

The Emperor's New Groove | ShotOnWhat?

First Assistant Sound Editor

The Emperor's New Groove (2000)

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

The Whole Nine Yards | ShotOnWhat?

Sound Effects Editor

The Whole Nine Yards (2000)

Directed by: Jonathan Lynn

Cinematography by: David Franco

Edited by: Tom Lewis

My Favorite Martian | ShotOnWhat?

First Assistant Sound Editor

My Favorite Martian (1999)

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

South Park: Bigger Longer & Uncut | ShotOnWhat?

First Assistant Sound Editor

South Park: Bigger, Longer & Uncut (1999)

Directed by: Trey Parker

Edited by: John Venzon

Life | ShotOnWhat?

First Assistant Sound Editor

Life (1999)

Directed by: Ted Demme

Cinematography by: Geoffrey Simpson

Edited by: Jeffrey Wolf

Patch Adams | ShotOnWhat?

First Assistant Sound Editor

Patch Adams (1998)

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mafia! | ShotOnWhat?

First Assistant Sound Editor

Mafia! (1998)

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Nothing to Lose | ShotOnWhat?

Second Assistant Sound Editor

Nothing to Lose (1997)

Directed by: Steve Oedekerk

Cinematography by: Donald E. Thorin

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

I Know What You Did Last Summer | ShotOnWhat?

First Assistant Sound Editor

I Know What You Did Last Summer (1997)

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Liar Liar | ShotOnWhat?

Second Assistant Sound Editor

Liar Liar (1997)

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

©2012 - 2024 ShotOnWhat?

20254.20