Senior Compositor - 6 Episodes, 2021-2022
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Senior Compositor
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Visual Effects Supervisor
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor
'Bodyguard' Episode #1.1 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.2 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.3 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.4 (2018)
Directed by: John Strickland
Cinematography by: John Lee
Edited by: Andrew McClelland
Visual Effects Supervisor - 4 Episodes, 2018
Bodyguard (2018)
Cinematography by: John Lee
Cameras: Red Helium (Weapon) 8K
Visual Effects Supervisor: Peerless
'The White Princess' Burgundy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Visual Effects Supervisor: Peerless - 5 Episodes, 2017
The White Princess (2017)
Cinematography by: Chris Seager
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor: Peerless
'The White Princess' The Pretender (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Visual Effects Supervisor: Peerless
'The White Princess' Traitors (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Visual Effects Supervisor: Peerless
'The White Princess' Hearts and Minds (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Visual Effects Supervisor: Peerless
'The White Princess' In Bed with the Enemy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Visual Effects Supervisor: Peerless Camera Company
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Senior Compositor: Peerless
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Senior Compositor
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects Supervisor: Peerless
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor: Peerless
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Peerless
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Senior Compositor
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Senior Compositor: Peerless Camera Company
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Digital Effects Supervisor: Peerless Camera Company
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Senior Compositor: Peerless Camera Company
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Compositor: Peerless Camera Company
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Senior Compositor: Peerless Camera Company
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Senior Compositor: Peerless Camera Company
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Senior Compositor: Peerless Camera Company
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Senior Compositor: Peerless
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Senior Compositor: Peerless Camera Company
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Head Of 2D: Peerless
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Senior Inferno Artist: Peerless
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Senior Compositor: Peerless Camera Company
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Head Of 2D: Peerless
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Head Of 2d: Peerless Camera Co
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Digital Compositor: Peerless
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Senior Compositor: Peerless Computer Company
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Senior Digital Compositor: Peerless Camera Company
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Senior Compositor: Peerless
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Compositor: Peerless Camera Company
Les rivières pourpres 2 - Les anges de l'apocalypse (2004)
Directed by: Olivier Dahan
Cinematography by: Alex Lamarque
Edited by: Richard Marizy
Senior Inferno Artist: Peerless Camera Co
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Senior Inferno Artist: Peerless Camera Co
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Effects Compositor: The Film Factory At VTR
Cousin Bette (1998)
Directed by: Des McAnuff
Cinematography by: Andrzej Sekula
Inferno Artist
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Digital Compositor
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
