Daniel C. McFadden

42 Titles

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Greenland | ShotOnWhat?

Still Photographer

Greenland (2020)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera

Den of Thieves | ShotOnWhat?

Still Photographer

Den of Thieves (2018)

Directed by: Christian Gudegast

Cinematography by: Terry Stacey

Edited by: David S. Cox, Joel Cox, Nathan Godley

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

First Man | ShotOnWhat?

Still Photographer

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

The Nice Guys | ShotOnWhat?

Still Photographer

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Still Photographer: Additional

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Second Unit

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Taken 3 | ShotOnWhat?

Still Photographer: Atlanta

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Whiplash | ShotOnWhat?

Still Photographer

Whiplash (2014)

Directed by: Damien Chazelle

Cinematography by: Sharone Meir

Edited by: Tom Cross

Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Don Jon | ShotOnWhat?

Still Photographer

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Purge | ShotOnWhat?

Still Photographer

The Purge (2013)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Maniac | ShotOnWhat?

Still Photographer

Maniac (2012)

Directed by: Franck Khalfoun

Cinematography by: Maxime Alexandre

Edited by: Baxter, Franck Khalfoun

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

The Babymakers | ShotOnWhat?

Still Photographer

The Babymakers (2012)

Directed by: Jay Chandrasekhar

Cinematography by: Frank G. DeMarco

Edited by: Brad Katz

Water for Elephants | ShotOnWhat?

Second Assistant Camera: "a" Camera

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Assistant Camera

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Inception | ShotOnWhat?

Takers | ShotOnWhat?

Assistant Camera

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Seven Pounds | ShotOnWhat?

Second Assistant Camera

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Four Christmases | ShotOnWhat?

Second Assistant Camera

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

The Dark Knight | ShotOnWhat?

Second Assistant Camera: "a" Camera

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

3:10 to Yuma | ShotOnWhat?

Second Assistant Camera: "a" Camera

3:10 to Yuma (2007)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Prestige | ShotOnWhat?

Camera Loader

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Walk the Line | ShotOnWhat?

Assistant Camera

Walk the Line (2005)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Sideways | ShotOnWhat?

Camera Loader

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Girl Next Door | ShotOnWhat?

Camera Loader

The Girl Next Door (2004)

Directed by: Luke Greenfield

Cinematography by: Jamie Anderson

Edited by: Mark Livolsi

Soul Plane | ShotOnWhat?

Assistant Camera

Soul Plane (2004)

Directed by: Jessy Terrero

Cinematography by: Jonathan Sela

Edited by: Michael R. Miller

The Italian Job | ShotOnWhat?

Camera Loader

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Identity | ShotOnWhat?

Assistant Camera

Identity (2003)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Laurel Canyon | ShotOnWhat?

Camera Loader

Laurel Canyon (2002)

Directed by: Lisa Cholodenko

Cinematography by: Wally Pfister

Edited by: Amy E. Duddleston

Moonlight Mile | ShotOnWhat?

Assistant Camera

Moonlight Mile (2002)

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses

America's Sweethearts | ShotOnWhat?

Second Assistant Camera: "b" Camera

America's Sweethearts (2001)

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Pearl Harbor | ShotOnWhat?

Camera Loader / Second Assistant Camera

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Memento | ShotOnWhat?

Second Assistant Camera

Memento (2000)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Hollow Man | ShotOnWhat?

Camera Loader

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Mystery Men | ShotOnWhat?

Camera Loader

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Blue Streak | ShotOnWhat?

Camera Loader

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Edtv | ShotOnWhat?

Camera Loader

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Stuart Little | ShotOnWhat?

Camera Loader

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Desperate Measures | ShotOnWhat?

Camera Loader

Desperate Measures (1998)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Armageddon | ShotOnWhat?

Camera Loader

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Civil Action | ShotOnWhat?

Camera Loader

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Speed 2: Cruise Control | ShotOnWhat?

Camera Loader

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Mousehunt | ShotOnWhat?

Camera Loader

Mousehunt (1997)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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