Dolby Consultant
Predestination (2014)
Cinematography by: Ben Nott
Edited by: Matt Villa
Cameras: ARRI ALEXA Camera
Dolby Consultant
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Dolby Sound Consultant
Wolf Creek 2 (2013)
Directed by: Greg McLean
Cinematography by: Toby Oliver
Edited by: Sean Lahiff
Cameras: ARRI ALEXA Plus 4:3 Camera
Dolby Consultant
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dolby Consultant
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dolby Engineer
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Dolby Consultant
Lore (2012)
Directed by: Cate Shortland
Cinematography by: Adam Arkapaw
Edited by: Veronika Jenet
Lenses: Canon Lenses, Zeiss Ultra 16 Lenses
Dolby Consultant
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dolby Consultant
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Dolby Consultant
X (2011)
Directed by: Jon Hewitt
Cinematography by: Mark Pugh
Edited by: Cindy Clarkson
Cameras: Red One MX Camera
Dolby Consultant
Swerve (2011)
Directed by: Craig Lahiff
Cinematography by: David Foreman
Edited by: Sean Lahiff
Cameras: Sony CineAlta F35 Camera
Sound Consultant: Dolby
Animal Kingdom (2010)
Directed by: David Michôd
Cinematography by: Adam Arkapaw
Edited by: Luke Doolan
Dolby Consultant
The Warrior's Way (2010)
Directed by: Sngmoo Lee
Cinematography by: Woo-hyung Kim
Edited by: Jonathan Woodford-Robinson
Dolby Sound Consultant
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Dolby Sound Consultant
Beneath Hill 60 (2010)
Directed by: Jeremy Sims
Cinematography by: Toby Oliver
Edited by: Dany Cooper
Dolby Consultant
Boy (2010)
Directed by: Taika Waititi
Cinematography by: Adam Clark
Edited by: Chris Plummer
Dolby Sound Consultant
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Dolby Consultant
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Consultant: Dolby Sound
Van Diemen's Land (2009)
Directed by: Jonathan auf der Heide
Cinematography by: Ellery Ryan
Edited by: Cindy Clarkson
Consultant: Dolby
The Loved Ones (2009)
Directed by: Sean Byrne
Cinematography by: Simon Chapman
Edited by: Andy Canny
Dolby Consultant
In Her Skin (2009)
Directed by: Simone North
Cinematography by: Jules O'Loughlin
Edited by: Jane Moran
Lenses: Cooke S4 Lenses
Dolby Consultant
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Sound Consultant: Dolby
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Dolby Sound Consultant
Accidents Happen (2009)
Directed by: Andrew Lancaster
Cinematography by: Ben Nott
Edited by: Roland Gallois
Dolby Consultant
Acolytes (2008)
Directed by: Jon Hewitt
Cinematography by: Mark Pugh
Edited by: Simon Martin
Cameras: Thomson Viper Camera
Dolby Consultant
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Dolby Consultant
Cheung gong 7 hou (2008)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Dolby Consultant
Lake Mungo (2008)
Directed by: Joel Anderson
Cinematography by: John Brawley
Edited by: Bill Murphy
Dolby Consultant
Disgrace (2008)
Directed by: Steve Jacobs
Cinematography by: Steve Arnold
Edited by: Alexandre de Franceschi
Dolby Consultant
30 Days of Night (2007)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Dolby Consultant
Lucky Miles (2007)
Directed by: Michael James Rowland
Cinematography by: Geoff Burton
Edited by: Henry Dangar
Sound Consultant: Dolby
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Facilities Manager
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Dolby Consultant
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Dolby Consultant
Romulus, My Father (2007)
Directed by: Richard Roxburgh
Cinematography by: Geoffrey Simpson
Edited by: Suresh Ayyar
Dolby Consultant
The Book of Revelation (2006)
Directed by: Ana Kokkinos
Cinematography by: Tristan Milani
Edited by: Martin Connor
Dolby Consultant
Caterpillar Wish (2006)
Directed by: Sandra Sciberras
Cinematography by: Greig Fraser
Edited by: Jason Ballantine
Dolby Consultant
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Dolby Consultant
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Dolby Consultant
Like Minds (2006)
Directed by: Gregory Read
Cinematography by: Nigel Bluck
Edited by: Mark Warner
Dolby Consultant
Ten Canoes (2006)
Cinematography by: Ian Jones
Edited by: Tania Nehme
Cameras: ARRIFLEX 35 BL4s Camera
Dolby Consultant
Jindabyne (2006)
Directed by: Ray Lawrence
Cinematography by: David Williamson
Edited by: Karl Sodersten
Stereo Sound Consultant: Dolby
Safety in Numbers (2006)
Directed by: David J. Douglas
Cinematography by: Mark Bliss
Edited by: David Stiven
Dolby Consultant
Boogeyman (2005)
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: John Axelrad
Dolby Consultant
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Dolby Consultant
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Consultant: Dolby
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Dolby Consultant
Thunderstruck (2004)
Directed by: Darren Ashton
Cinematography by: Geoffrey Hall
Edited by: Martin Connor
Dolby Consultant
Kung Fu Hustle (2004)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Dolby Consultant
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Stereo Sound Consultant: Dolby Stereo
Somersault (2004)
Directed by: Cate Shortland
Cinematography by: Robert Humphreys
Edited by: Scott Gray
Dolby Consultant
Peaches (2004)
Directed by: Craig Monahan
Cinematography by: Ernie Clark
Edited by: Suresh Ayyar
Dolby Consultant
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Sound Consultant: Dolby
Alexandra's Project (2003)
Directed by: Rolf de Heer
Cinematography by: Ian Jones
Edited by: Tania Nehme
Dolby Consultant
Zhui ma lao (2003)
Directed by: Chia-Liang Liu
Cinematography by: Bo Man Wong
Edited by: Kit-Wai Kai
Stereo Sound Consultant: Dolby
Travelers and Magicians (2003)
Directed by: Khyentse Norbu
Cinematography by: Alan Kozlowski
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera
Dolby Consultant
Bad Eggs (2003)
Directed by: Tony Martin
Cinematography by: Graeme Wood
Edited by: Peter Carrodus
Dolby Consultant
The Crocodile Hunter: Collision Course (2002)
Directed by: John Stainton
Cinematography by: David Burr
Dolby Consultant
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Dolby Consultant
The Tracker (2002)
Directed by: Rolf de Heer
Cinematography by: Ian Jones
Edited by: Tania Nehme
Dolby Consultant
Black and White (2002)
Directed by: Craig Lahiff
Cinematography by: Geoffrey Simpson
Edited by: Lee Smith
Dolby Consultant
Da wan (2001)
Directed by: Xiaogang Feng
Cinematography by: Li Zhang
Edited by: Ying Zhou
Stereo Sound Consultant: Dolby
The Bank (2001)
Directed by: Robert Connolly
Cinematography by: Tristan Milani
Edited by: Nick Meyers
Stereo Sound Consultant: Dolby
The Old Man Who Read Love Stories (2001)
Directed by: Rolf de Heer
Cinematography by: Denis Lenoir
Edited by: Tania Nehme
Cameras: Moviecam Compact Camera
Sound Stereo Consultant: Dolby
Innocence (2000)
Directed by: Paul Cox
Cinematography by: Tony Clark
Edited by: Simon Whitington
Stereo Sound Consultant: Dolby
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Dolby Consultant
China Strike Force (2000)
Directed by: Stanley Tong
Cinematography by: Jeffrey C. Mygatt
Dolby Consultant
Sample People (2000)
Directed by: Clinton Smith
Cinematography by: David Foreman
Edited by: Frans Vandenburg
Stereo Sound Consultant: Dolby Stereo
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Dolby Film Sound Consultant
The Real Macaw (1998)
Directed by: Mario Andreacchio
Cinematography by: David Foreman
Edited by: Edward McQueen-Mason
Additional Mixer
The Quest (1985)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Brian Kavanagh