Visual Effects Producer
'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)
Cinematography by: Lachlan Milne
Visual Effects Producer
'Stranger Things' Chapter Seven: The Bite (2019)
Cinematography by: Lachlan Milne
Visual Effects Producer
'Stranger Things' Chapter Six: The Birthday (2019)
Directed by: Uta Briesewitz
Visual Effects Producer
'Stranger Things' Chapter Five: The Source (2019)
Directed by: Uta Briesewitz
Visual Effects Producer
'Stranger Things' Chapter Four: The Sauna Test (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Visual Effects Producer
'Stranger Things' Chapter Three: The Case of the Missing Lifeguard (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Visual Effects Producer
'Stranger Things' Chapter Two: The Mall Rats (2019)
Visual Effects Producer
'Stranger Things' Chapter One: Suzie, Do You Copy? (2019)
Visual Effects Producer
'Stranger Things' Chapter One: MADMAX (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Two: Trick or Treat, Freak (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Visual Effects Producer
'Stranger Things' Chapter Three: The Pollywog (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Four: Will the Wise (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Nat Fuller
Visual Effects Producer
'Stranger Things' Chapter Five: Dig Dug (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Seven: The Lost Sister (2017)
Directed by: Rebecca Thomas
Cinematography by: David Franco
Edited by: Katheryn Naranjo
Visual Effects Producer
'Stranger Things' Chapter Eight: The Mind Flayer (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Visual Effects Producer
'Stranger Things' Chapter Nine: The Gate (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Six: The Spy (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Nat Fuller
Visual Effects Producer: Digikore
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Producer
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Visual Effects Producer
'Stranger Things' Chapter Seven: The Bathtub (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Visual Effects Producer
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Four: The Body (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Dean Zimmerman
Visual Effects Producer
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Visual Effects Producer
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Visual Effects Producer - 25 Episodes, 2016-2019, Visual Effects Producer - 25 Episodes, 2016-2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Cleanup Lead: Digikore
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Lead Compositor: Digikore
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Compositing Supervisor: Digikore
Think Like a Man Too (2014)
Directed by: Tim Story
Cinematography by: Christopher Duskin
Edited by: Peter S. Elliot
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Panavision Super Speed Lenses
Compositing Supervisor: Digikore
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Compositing Supervisor: Digikore
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Digital Compositor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Compositor: Digikore VFX
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Compositor: Digikore
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: Digikore Studios - 10 Episodes, 2019-2020
Arrow (2012)
Directed by: James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Gregory Smith, Laura Belsey, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Eagle Egilsson, Rob Hardy, Dermott Downs, Kevin Tancharoen, Mark Bunting, Ben Hernandez Bray, Joel Novoa, Tara Miele, David Barrett, Kenneth Fink, Douglas Aarniokoski, Mairzee Almas, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, David Ramsey, John Dahl, David Grossman, Vincent Misiano, David Nutter, Michael Offer, Bethany Rooney, Peter Leto, Stephen Surjik, Larry Teng, Lexi Alexander, John Badham, Dwight H. Little, Charlotte Brändström, Kevin Fair, John F. Showalter, Mary Lambert, Katie Cassidy, Ruba Nadda, Patia Prouty, Marcus Stokes, Avi Youabian
Cinematography by: Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett
Edited by: Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HP Zoom Lenses
Matte Painter
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Matte Painter
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Matte Painter
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Compositor
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Artist
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Compositor / Visual Effects Artist
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Matte Painter
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Visual Effects Artist
The King of Fighters (2010)
Directed by: Gordon Chan
Cinematography by: Arthur Wong
Edited by: Ki-Hop Chan
Matte Painter
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Matte Painter
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Matte Painter
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Visual Effects Artist
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Matte Painter
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Visual Effects Artist
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Visual Effects Supervisor: Digikore VFX - 3D Version 2012
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
