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Gold Star (2020)

Short Film | 2D | Color | 2.39:1 | 15 Minutes

Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger

Starring | Husom Asiri Alias, Dagmar Bernhard, Fariba Mohamadian

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses, Canon FD Series Lenses

Maître du monde (2011)

Motion Picture | 2D | HD Project | Color | 72 Minutes

Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano

Starring | Boris Beynet

Cameras | Panasonic AG-HVX200 Camera

Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

Lupin (2021)

Television Series | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

The Ring Two (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Hideo Nakata | Cinematography by | Gabriel Beristain | Editing by | Michael N. Knue

Starring | Naomi Watts, David Dorfman, Sissy Spacek, Simon Baker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Die Another Day (2002)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner

Starring | Pierce Brosnan, Halle Berry, Rosamund Pike, Toby Stephens

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Portrait of a Lady on Fire (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 122 Minutes

Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray

Starring | Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino

Cameras | Red Monstro 8K Camera

Lenses | Leitz THALIA Series Lenses

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Barry Lyndon (1975)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

The Weed Whacker Massacre (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 12 Minutes

Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker

Starring | Meg Ansteensen, Nathan Darrison, Elizabeth A. Devine

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses

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