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Mole-Richardson | 31 Titles

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The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Hangnail (2011)

Short Film | 2D | Film Project | Color | 2.39:1 | 12 Minutes

Directed by | Cavan Campbell | Cinematography by | Daniel Grant | Editing by | Baun Mah

Starring | Tasha Lawrence, Dylan Smith

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Lenses

High School Musical: The Musical – The Series (2019)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Matthew Williams, Larry Reibman | Editing by | Tod Modisett, Melissa Gearhart

Starring | Joshua Bassett, Olivia Rodrigo, Kate Reinders, Sofia Wylie

Cameras | ARRI ALEXA Mini Camera

The Resident (2018)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon

Starring | Matt Czuchry, Emily VanCamp, Manish Dayal, Shaunette Renée Wilson

Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera

Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses

Treasures of the Copper Scroll (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 50 Minutes

Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long

Cameras | Sony Cameras, Sony HDW-F900 Camera

Lenses | Fujinon Lenses, Sony Lenses

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

I, Timon (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 78 Minutes

Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini

Starring | Kylie Azzopardi, Kain Baigent, Melissa Barlas, Tiannah Clark

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Press (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 |

Jamesy Boy (2014)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 109 Minutes

Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes

Starring | Spencer Rocco Lofranco, Mary-Louise Parker, Ving Rhames, James Woods

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Triumph67 (2010)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 99 Minutes

Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker

Starring | Kareem Aal, Adam Elsafy, Mohannad Ghawanmeh, Sarah Martens

Cameras | Sony PMW-EX3 Camera

Lenses | Canon FD Series Lenses

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

Scream Bloody Murder (2003)

Direct to Video | 2D | Color | 88 Minutes

Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock

Starring | Stephanie Northrup, Tara Thomson, Anna Florence, Drew Droege

Cameras | Canon XL1 Camera

Lenses | Canon Lenses

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Kelly & Cal (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper

Starring | Juliette Lewis, Jonny Weston, Josh Hopkins, Cybill Shepherd

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk V-Series Lenses

Keepsake (2008)

Motion Picture | 2D | Color | 101 Minutes

Directed by | Paul Moore | Cinematography by | Todd Gilpin | Editing by | Todd Gilpin

Starring | Robert Pralgo, Sunny La Rose, Liz Blake, Ryan Capps

Cameras | Aaton XTR Prod Camera

Lenses | Cooke S4 Lenses

To Kill a Bird of Prey (1983)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Iosif Demian | Cinematography by | Alexandru David

Starring | George Negoescu, Dorel Visan, Ioana Bulca, Petre Simionescu

Cameras | Mitchell R35R Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Pursuit of Happiness (2001)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian

Starring | Frank Whaley, Annabeth Gish, Amy Jo Johnson, Patrick Van Horn

Cameras | ARRIFLEX 35 Camera

Lenses | Angenieux Lenses, Cooke Lenses

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