Tungsten Lighting | 173 Titles
The Man in Room 6 (2022)
 Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger 
 
  Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera 
  Lenses | Rokinon Lenses, SLR Magic Lenses 
Behold the Lamb (2011)
 Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson 
 
  Cameras | ARRIFLEX 16mm Cameras 
  Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses 
The Stroller Strategy (2012)
 Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré 
 
  Cameras | ARRI ALEXA Plus Camera 
  Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens 
Zombie Ed (2013)
 Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks 
 
  Cameras | Nikon D4 Camera 
  Lenses | Nikon - Nikkor Lenses 
La Marginale (2022)
 Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens 
Operation Portugal (2021)
 Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Cooke S4 Lenses 
Gipsy Queen (2019)
 Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera 
 Empire Hotel (2018)
 Directed by | Ivo Ferreira | Cinematography by | Susana Gomes | Editing by | Sandro Aguilar 
 
  Cameras | Sony α7S II Camera 
  Lenses | ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens 
  Parasite   (2019)  
 
    Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang 
 
  Cameras | ARRI ALEXA 65 Camera 
 Promised: A True Story (2021)
 Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz 
 
  Cameras | Canon Cameras 
  Lenses | Canon EF Series Lenses 
The Night of the Virgin (2016)
 Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia 
 
  Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera 
 Killers Anonymous (2019)
Liberty (2018)
  | Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen 
 
  Cameras | ARRI ALEXA Mini Camera 
 Hangnail (2011)
Al Medina (2015)
 Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi 
 
  Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras 
  Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens 
Church of Fears (2018)
 Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner 
 
  Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera 
  Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens 
Friendship’s Field (1995)
 Directed by | Bruce Neibaur | Cinematography by | Matthew Williams 
 
  Cameras | ARRIFLEX 35 BL4s Camera 
  Lenses | Zeiss Standard Speed Prime Lenses 
American Pastime (2007)
 Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa 
 
  Cameras | Moviecam Compact Camera 
  Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens 
 
  
 



















































