Cooke Zoom Lenses | 44 Titles
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Mafiosa (2006)
| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses
Chrysalis (2007)
Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss
Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Ray (2004)
Gremlins 2: The New Batch (1990)
Hope and Glory (1987)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
The Piano Teacher (2001)
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
One from the Heart (1981)
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses

























































