ARRI / Zeiss Lenses | 691 Titles
Saul fia (2015)
Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Joy (2015)
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen
Lenses | Zeiss Ultra Prime Lenses
Brooklyn (2015)
Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Camera
Steve Jobs (2015)
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Anonymous (2011)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Peter R. Adam
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Press (2016)
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The 33 (2015)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses
Meadowland (2015)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Sicario (2015)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
The Dark Horse (2014)
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
Y Tu Mamá También (2001)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
Ventoux (2015)
Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Survivalist (2015)
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
The Danish Girl (2015)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | Red Epic Dragon Camera
O Tempo e o Vento (2013)
Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani
Cameras | Sony CineAlta F65 Camera
