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ARRI / Zeiss Lenses | 691 Titles

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Kikaidâ Reboot (2014)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ten Shimoyama

Starring | Jingi Irie, Kazushige Nagashima, Aimi Satsukawa, Yûto Ikeda

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Fishing Without Nets (2014)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere

Starring | Abdiwali Farrah, Eric Godon, Abdikhadir Hassan, Idil Ibrahim

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

Les yeux jaunes des crocodiles (2014)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao

Starring | Julie Depardieu, Emmanuelle Béart, Patrick Bruel, Alice Isaaz

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Leviathan (2014)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass

Starring | Aleksey Serebryakov, Elena Lyadova, Roman Madyanov, Vladimir Vdovichenkov

Cameras | ARRIFLEX Camera

Lenses | Zeiss Master Prime Lenses

La ritournelle (2014)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette

Starring | Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Deux jours, une nuit (2014)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Marion Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin

Cameras | ARRI ALEXA M Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Standard Speed Prime Lenses

My King (2015)

Motion Picture | 2D | Color | 124 Minutes

Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet

Starring | Vincent Cassel, Emmanuelle Bercot, Louis Garrel, Isild Le Besco

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses

Boomerang (2015)

Television Series | 2D | Color |

| Cinematography by | Louis-Philippe Blain | Editing by | Claude Palardy

Starring | Marie-Thérèse Fortin, Marc Messier, Magalie Lépine Blondeau, Fabien Cloutier

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Wild (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Reese Witherspoon, Laura Dern, Gaby Hoffmann, Michiel Huisman

Cameras | ARRI ALEXA XT Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Under the Skin (2013)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts

Starring | Scarlett Johansson, Jeremy McWilliams, Lynsey Taylor Mackay, Dougie McConnell

Cameras | ARRI ALEXA Plus Camera, one-cam Camera

Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

The Imitation Game (2014)

Motion Picture | 2D | Black & White, Color | 114 Minutes

Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg

Starring | Benedict Cumberbatch, Keira Knightley, Matthew Goode, Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Hobbit: The Battle of the Five Armies (2014)

Motion Picture | 3D | Color | 2.39:1 | 144 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Ian McKellen, Martin Freeman, Richard Armitage, Cate Blanchett

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Snowpiercer (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim

Starring | Chris Evans, Jamie Bell, Tilda Swinton, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Ida (2013)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 82 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik, Jerzy Trela

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Zeiss Ultra Prime Lenses

Le temps des aveux (2014)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor

Starring | Raphaël Personnaz, Phoeung Kompheak, Olivier Gourmet, Thanet Thorn

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

A Most Wanted Man (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson

Starring | Philip Seymour Hoffman, Rachel McAdams, Daniel Brühl, Robin Wright

Cameras | ARRI ALEXA M Camera

Lenses | Zeiss Super Speed Lenses

A Most Violent Year (2014)

Motion Picture | 2D | Color | 125 Minutes

Directed by | J.C. Chandor | Cinematography by | Bradford Young | Editing by | Ron Patane

Starring | Oscar Isaac, Jessica Chastain, David Oyelowo, Alessandro Nivola

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

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